Doppelte Antizipation: Interne Kontrollen und Unklare Reaktionen in der Gestaltung von US-Fernsehserien

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Doppelte Antizipation: Interne Kontrollen und Unklare Reaktionen in der Gestaltung von US-Fernsehserien. / Dellwing, Michael.
In: Kriminologisches Journal, Vol. 48, No. 2, 2016, p. 128-144.

Research output: Journal contributionsJournal articlesResearchpeer-review

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@article{63507c42e0ad4960842b030a50bd227d,
title = "Doppelte Antizipation: Interne Kontrollen und Unklare Reaktionen in der Gestaltung von US-Fernsehserien",
abstract = "The term {"}quality television{"} has become standard when describing highly serialized, narratively complex, high production-value television content that mostly originates in the United States. These shows have been widely received, debated and discussed in pop culture, in journalistic and cultural criticism as well as in academic circles. This discussion mostly emphasizes narratives and structural lines, interests that stem from a literary studies perspective. This article intends to show the political and economic structures in which content arises. It will attempt to show how narrative and content can be explained, in part, through the specific embeddedness of production in U.S. regulatory and economic frameworks. Quality television exemplifies a shift from a safety-minded orientation toward public morals to an orientation to attention.",
keywords = "Censorship, FCC, Quality television, Regulation, Television, Transgression, TV shows, Transdisziplin{\"a}re Studien",
author = "Michael Dellwing",
year = "2016",
language = "Deutsch",
volume = "48",
pages = "128--144",
journal = "Kriminologisches Journal",
issn = "0341-1966",
publisher = "Beltz Juventa Verlag",
number = "2",

}

RIS

TY - JOUR

T1 - Doppelte Antizipation

T2 - Interne Kontrollen und Unklare Reaktionen in der Gestaltung von US-Fernsehserien

AU - Dellwing, Michael

PY - 2016

Y1 - 2016

N2 - The term "quality television" has become standard when describing highly serialized, narratively complex, high production-value television content that mostly originates in the United States. These shows have been widely received, debated and discussed in pop culture, in journalistic and cultural criticism as well as in academic circles. This discussion mostly emphasizes narratives and structural lines, interests that stem from a literary studies perspective. This article intends to show the political and economic structures in which content arises. It will attempt to show how narrative and content can be explained, in part, through the specific embeddedness of production in U.S. regulatory and economic frameworks. Quality television exemplifies a shift from a safety-minded orientation toward public morals to an orientation to attention.

AB - The term "quality television" has become standard when describing highly serialized, narratively complex, high production-value television content that mostly originates in the United States. These shows have been widely received, debated and discussed in pop culture, in journalistic and cultural criticism as well as in academic circles. This discussion mostly emphasizes narratives and structural lines, interests that stem from a literary studies perspective. This article intends to show the political and economic structures in which content arises. It will attempt to show how narrative and content can be explained, in part, through the specific embeddedness of production in U.S. regulatory and economic frameworks. Quality television exemplifies a shift from a safety-minded orientation toward public morals to an orientation to attention.

KW - Censorship

KW - FCC

KW - Quality television

KW - Regulation

KW - Television

KW - Transgression

KW - TV shows

KW - Transdisziplinäre Studien

UR - http://www.scopus.com/inward/record.url?scp=85020128034&partnerID=8YFLogxK

M3 - Zeitschriftenaufsätze

AN - SCOPUS:85020128034

VL - 48

SP - 128

EP - 144

JO - Kriminologisches Journal

JF - Kriminologisches Journal

SN - 0341-1966

IS - 2

ER -