Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

Holger Kuhn

Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Standard

Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization. / Kuhn, Holger.
Critique and the Digital. ed. / Erich Hörl; Nelly Yaa Pinkrah; Clara Lotte Warnholdt. Zürich/Berlin: Diaphanes Verlag, 2021. p. 147-184.

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Harvard

Kuhn, H 2021, Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization. in E Hörl, NY Pinkrah & CL Warnholdt (eds), Critique and the Digital. Diaphanes Verlag, Zürich/Berlin, pp. 147-184.

APA

Kuhn, H. (2021). Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization. In E. Hörl, N. Y. Pinkrah, & C. L. Warnholdt (Eds.), Critique and the Digital (pp. 147-184). Diaphanes Verlag.

Vancouver

Kuhn H. Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization. In Hörl E, Pinkrah NY, Warnholdt CL, editors, Critique and the Digital. Zürich/Berlin: Diaphanes Verlag. 2021. p. 147-184

Bibtex

@inbook{03ffba64117b49c4b81e8228ee3c1812,

title = "Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization",

abstract = "In this volume the editors gather diverse perspectives on one agreed-upon condition: that the computational power of today{\textquoteright}s world has fundamentally transformed all aspects of this very world. This requires the investigation and questioning not only of the possible sites of critique but also of the concept of critique as such.If there used to be a critical subject constituted in the cultural techniques of modernity, and if digitality, as a condition, indicates itself as a product of modernity while at the same time somehow being its very ending, what are the determinable ramifications? Digitality severely alters the critical subject and its spatio-temporal relations, and therefore interferes with its potentiality to be a critical subject. The authors of this volume therefore do not proclaim a crisis of critique, but rather ask how and what critique in the digital might be, to then look at specific settings of critique and critical practices.With contributions by Clemens Apprich, Timon Beyes, Mark Hansen, Erich H{\"o}rl, Holger Kuhn, Luciana Parisi, Ying Sze Pek, Claus Pias, Nelly Y. Pinkrah, Judith Sieber, Lotte Warnsholdt.",

keywords = "Science of art, Media and communication studies",

author = "Holger Kuhn",

year = "2021",

language = "English",

isbn = "978-3-0358-0242-9",

pages = "147--184",

editor = "Erich H{\"o}rl and Pinkrah, {Nelly Yaa} and Warnholdt, {Clara Lotte}",

booktitle = "Critique and the Digital",

publisher = "Diaphanes Verlag",

address = "Switzerland",

}

RIS

TY - CHAP

T1 - Crisis - Unrest - Commons Sense

T2 - Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

AU - Kuhn, Holger

PY - 2021

Y1 - 2021

N2 - In this volume the editors gather diverse perspectives on one agreed-upon condition: that the computational power of today’s world has fundamentally transformed all aspects of this very world. This requires the investigation and questioning not only of the possible sites of critique but also of the concept of critique as such.If there used to be a critical subject constituted in the cultural techniques of modernity, and if digitality, as a condition, indicates itself as a product of modernity while at the same time somehow being its very ending, what are the determinable ramifications? Digitality severely alters the critical subject and its spatio-temporal relations, and therefore interferes with its potentiality to be a critical subject. The authors of this volume therefore do not proclaim a crisis of critique, but rather ask how and what critique in the digital might be, to then look at specific settings of critique and critical practices.With contributions by Clemens Apprich, Timon Beyes, Mark Hansen, Erich Hörl, Holger Kuhn, Luciana Parisi, Ying Sze Pek, Claus Pias, Nelly Y. Pinkrah, Judith Sieber, Lotte Warnsholdt.

AB - In this volume the editors gather diverse perspectives on one agreed-upon condition: that the computational power of today’s world has fundamentally transformed all aspects of this very world. This requires the investigation and questioning not only of the possible sites of critique but also of the concept of critique as such.If there used to be a critical subject constituted in the cultural techniques of modernity, and if digitality, as a condition, indicates itself as a product of modernity while at the same time somehow being its very ending, what are the determinable ramifications? Digitality severely alters the critical subject and its spatio-temporal relations, and therefore interferes with its potentiality to be a critical subject. The authors of this volume therefore do not proclaim a crisis of critique, but rather ask how and what critique in the digital might be, to then look at specific settings of critique and critical practices.With contributions by Clemens Apprich, Timon Beyes, Mark Hansen, Erich Hörl, Holger Kuhn, Luciana Parisi, Ying Sze Pek, Claus Pias, Nelly Y. Pinkrah, Judith Sieber, Lotte Warnsholdt.

KW - Science of art

KW - Media and communication studies

UR - https://www.diaphanes.net/titel/critique-and-the-digital-6052

M3 - Contributions to collected editions/anthologies

SN - 978-3-0358-0242-9

SN - 3-0358-0242-4

SP - 147

EP - 184

BT - Critique and the Digital

A2 - Hörl, Erich

A2 - Pinkrah, Nelly Yaa

A2 - Warnholdt, Clara Lotte

PB - Diaphanes Verlag

CY - Zürich/Berlin

ER -