Beneath the Second Skin. Mayan Textiles and Bodies in the Art of Manuel Tzoc Bucup and Sandra Monterroso
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In: Miradas. Zeitschrift für Kunst und Kulturgeschichte der Amerikas und der iberischen Halbinsel, Vol. 6, No. 2, 29.03.2022, p. 104-125.
Research output: Journal contributions › Journal articles › Transfer › peer-review
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TY - JOUR
T1 - Beneath the Second Skin. Mayan Textiles and Bodies in the Art of Manuel Tzoc Bucup and Sandra Monterroso
AU - Eduardo, Sebastián
PY - 2022/3/29
Y1 - 2022/3/29
N2 - Starting – and in conversation – with two contemporary artists who collect, modify, and display ‘traditionally’ woven textiles while dealing with their female, Mayan heritages, this article approaches pre-hispanic body concepts accessed through everyday experiences and met by (neo-)colonial practices in today’s Guatemala. For the performance Piel (2016), Manuel Tzoc’s full-body suit acts out a central concept in so-called Mayan hermeneutics: that of textile as the body’s second skin. In Columna Vertebral (2012-2017), Sandra Monterroso rolls up various textiles together to form a column. Resembling pre-hispanic stelae, the installation preserves saberes (knowledges/wisdom) impossible to ‘decipher’ fully. Moving from the body’s surface (Piel: skin) to the idea of its interiority (Columna Vertebral: spinal column), I offer a situated understanding of the material, fleshly relation between bodies, subjects and textiles, that has the potential of knowledge and memory transmission, and that cannot be understood solely in representational or semiotic terms, for instance through language.
AB - Starting – and in conversation – with two contemporary artists who collect, modify, and display ‘traditionally’ woven textiles while dealing with their female, Mayan heritages, this article approaches pre-hispanic body concepts accessed through everyday experiences and met by (neo-)colonial practices in today’s Guatemala. For the performance Piel (2016), Manuel Tzoc’s full-body suit acts out a central concept in so-called Mayan hermeneutics: that of textile as the body’s second skin. In Columna Vertebral (2012-2017), Sandra Monterroso rolls up various textiles together to form a column. Resembling pre-hispanic stelae, the installation preserves saberes (knowledges/wisdom) impossible to ‘decipher’ fully. Moving from the body’s surface (Piel: skin) to the idea of its interiority (Columna Vertebral: spinal column), I offer a situated understanding of the material, fleshly relation between bodies, subjects and textiles, that has the potential of knowledge and memory transmission, and that cannot be understood solely in representational or semiotic terms, for instance through language.
KW - Cultural studies
KW - Mayan hermeneutics
KW - Mayan textiles
KW - second skin
KW - body's interiority
KW - decipherability
U2 - 10.11588/mira.2022.2.85779
DO - 10.11588/mira.2022.2.85779
M3 - Journal articles
VL - 6
SP - 104
EP - 125
JO - Miradas. Zeitschrift für Kunst und Kulturgeschichte der Amerikas und der iberischen Halbinsel
JF - Miradas. Zeitschrift für Kunst und Kulturgeschichte der Amerikas und der iberischen Halbinsel
SN - 2363-8087
IS - 2
ER -