Artistic exchanges across Afro-Eurasia: A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries
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In: Convivium (Czech Republic), Vol. 7, No. 2, 01.11.2020, p. 133-157.
Research output: Journal contributions › Journal articles › Research › peer-review
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TY - JOUR
T1 - Artistic exchanges across Afro-Eurasia
T2 - A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries
AU - Schulz, Vera Simone
N1 - Publisher Copyright: © 2020, Masaryk University, Faculty of Arts. All rights reserved.
PY - 2020/11/1
Y1 - 2020/11/1
N2 - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.
AB - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.
KW - Science of art
KW - Global biographies of objects
KW - Late medieval Afro-Eurasia
KW - Mamluk metalwork
KW - Transcultural art history
KW - Transmedial and transmaterial dynamics
UR - http://www.scopus.com/inward/record.url?scp=85098538820&partnerID=8YFLogxK
M3 - Journal articles
AN - SCOPUS:85098538820
VL - 7
SP - 133
EP - 157
JO - Convivium (Czech Republic)
JF - Convivium (Czech Republic)
SN - 2336-3452
IS - 2
ER -