Artistic exchanges across Afro-Eurasia: A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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Artistic exchanges across Afro-Eurasia: A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries. / Schulz, Vera Simone.
in: Convivium (Czech Republic), Jahrgang 7, Nr. 2, 01.11.2020, S. 133-157.

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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@article{fe38a85036a845abb8e74dc2ae320733,
title = "Artistic exchanges across Afro-Eurasia: A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries",
abstract = "Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.",
keywords = "Science of art, Global biographies of objects, Late medieval Afro-Eurasia, Mamluk metalwork, Transcultural art history, Transmedial and transmaterial dynamics",
author = "Schulz, {Vera Simone}",
note = "Publisher Copyright: {\textcopyright} 2020, Masaryk University, Faculty of Arts. All rights reserved.",
year = "2020",
month = nov,
day = "1",
language = "English",
volume = "7",
pages = "133--157",
journal = "Convivium (Czech Republic)",
issn = "2336-3452",
publisher = "Brepols Publishers",
number = "2",

}

RIS

TY - JOUR

T1 - Artistic exchanges across Afro-Eurasia

T2 - A global taste for metal artifacts from mamluk syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries

AU - Schulz, Vera Simone

N1 - Publisher Copyright: © 2020, Masaryk University, Faculty of Arts. All rights reserved.

PY - 2020/11/1

Y1 - 2020/11/1

N2 - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.

AB - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.

KW - Science of art

KW - Global biographies of objects

KW - Late medieval Afro-Eurasia

KW - Mamluk metalwork

KW - Transcultural art history

KW - Transmedial and transmaterial dynamics

UR - http://www.scopus.com/inward/record.url?scp=85098538820&partnerID=8YFLogxK

M3 - Journal articles

AN - SCOPUS:85098538820

VL - 7

SP - 133

EP - 157

JO - Convivium (Czech Republic)

JF - Convivium (Czech Republic)

SN - 2336-3452

IS - 2

ER -

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