A (still) marginal modernity, or the artist as stenographer
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In: October, Vol. 172, 01.05.2020, p. 3-7.
Research output: Journal contributions › Journal articles › Research › peer-review
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TY - JOUR
T1 - A (still) marginal modernity, or the artist as stenographer
AU - Troeller, Jordan
N1 - Publisher Copyright: © 2020 October Magazine, Ltd. and Massachusetts Institute of Technology.
PY - 2020/5/1
Y1 - 2020/5/1
N2 - This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.
AB - This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.
KW - Cultural studies
KW - Didactics of art education
UR - http://www.scopus.com/inward/record.url?scp=85085947009&partnerID=8YFLogxK
U2 - 10.1162/octo_a_00390
DO - 10.1162/octo_a_00390
M3 - Journal articles
AN - SCOPUS:85085947009
VL - 172
SP - 3
EP - 7
JO - October
JF - October
SN - 0162-2870
ER -