A (still) marginal modernity, or the artist as stenographer

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A (still) marginal modernity, or the artist as stenographer. / Troeller, Jordan.
In: October, Vol. 172, 01.05.2020, p. 3-7.

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Troeller J. A (still) marginal modernity, or the artist as stenographer. October. 2020 May 1;172:3-7. doi: 10.1162/octo_a_00390

Bibtex

@article{5b21af23ea254495b99ff0aa5f824de3,
title = "A (still) marginal modernity, or the artist as stenographer",
abstract = "This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and {\textquoteright}70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.",
keywords = "Cultural studies, Didactics of art education",
author = "Jordan Troeller",
note = "Publisher Copyright: {\textcopyright} 2020 October Magazine, Ltd. and Massachusetts Institute of Technology.",
year = "2020",
month = may,
day = "1",
doi = "10.1162/octo_a_00390",
language = "English",
volume = "172",
pages = "3--7",
journal = "October",
issn = "0162-2870",
publisher = "MIT Press Journals",

}

RIS

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AU - Troeller, Jordan

N1 - Publisher Copyright: © 2020 October Magazine, Ltd. and Massachusetts Institute of Technology.

PY - 2020/5/1

Y1 - 2020/5/1

N2 - This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.

AB - This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.

KW - Cultural studies

KW - Didactics of art education

UR - http://www.scopus.com/inward/record.url?scp=85085947009&partnerID=8YFLogxK

U2 - 10.1162/octo_a_00390

DO - 10.1162/octo_a_00390

M3 - Journal articles

AN - SCOPUS:85085947009

VL - 172

SP - 3

EP - 7

JO - October

JF - October

SN - 0162-2870

ER -

DOI