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  1. ARE WE THE BADDIES? Audience development, cultural policy and ideological precarity

    Hadley, S., 06.04.2022, Routledge Companion to Audiences and the Performing Arts. Reason, M., Conner, L., Johanson, K. & Walmsley, B. (eds.). Taylor and Francis Inc., p. 143-158 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  2. Feminine Desire, Feminist Politics

    Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  3. Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  4. Ticio Escobar: Towards a Popular Art

    Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  5. Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  6. Gathering Voices, Feeling Relations: Arlene Raven

    Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  7. Why Art Criticism? A Reader

    Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.

    Research output: Books and anthologies › Collected editions and anthologies › Transfer

  8. Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  9. Accumulation and Subjectivity: Rethinking Marx in Latin America

    Benezra, K. (Editor), 03.2022, New York: The State University of New York. 344 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  10. Quipping Equipment: Apropos of Robots and Kantian Chatbots

    von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.

    Research output: Journal contributions › Journal articles › Research

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