Robin Kuchar
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Robin Kuchar
- 2016
- Published
Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg
Kuchar, R., 2016, Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. Guerra, P. & Kagan, S. (eds.). Universidade Porto, p. 107 1 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
- Published
Zwischen simpler Kulturstatistik und fundierter Grundlagenforschung: Repräsentative Studien zur Kulturnutzung im internationalen Vergleich
Kirchberg, V. & Kuchar, R., 2016, Handbuch Kulturpublikum: Forschungsfragen und -befunde. Föhl, P. & Glogner-Pilz, P. (eds.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 555-585 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces
Kuchar, R., 07.2016, KISMIF - Keep it simple make it fast : DIY Cultures, Spaces & Places. Book of Abstracts. Bennett, A. & Guerra, P. (eds.). Universidade Porto, p. 113 1 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
- 2018
- Published
Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’
Kuchar, R., 07.2018, Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. Guerra, P. & Bennett, A. (eds.). Porto: Universidade Porto, p. 157-157 1 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
- 2019
- Published
Populäre Musik und Kulturmanagement : Komplexität des Punktuellen – oder schlicht Nadeln im Heuhaufen?
Barber-Kersovan, A. & Kuchar, R., 2019, In: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft. Vol. 4 (2018), Heft 2, p. 197-220 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2020
- Published
Music Venues in Transition: States of Autonomy, Dependence and Subcultural Institutionalization
Kuchar, R., 2020, In: Todas as Artes. 3, 2, p. 25-41 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Musikclubs zwischen Szene, Stadt und Music Industries: Autonomie, Vereinnahmung, Abhängigkeit.
Kuchar, R., 2020, 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 314 p.Research output: Books and anthologies › Book
- 2022
- Published
The “First Ones to Close and Last Ones to Re-Open”: Music Venues, COVID-19 and the Handling of the Crisis
Kuchar, R., Frey, M., Gooß, J. & Mertens, T., 22.06.2022, In: Journal of World Popular Music. 9, 1-2, p. 170-196 27 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2023
- Published
Independent Music and Independent Music Scenes. From DIY led Collectives to Individualized Professionals?
Kuchar, R., 26.01.2023, The Bloomsbury Handbook of Popular Music and Youth Cultures. Bennett, A. (ed.). London: Bloomsbury Academic, p. 567-592 25 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Building Scene and Cultural Memory in the Weser Hills. The Case of Glitterhouse Records and Orange Blossom Special Festival
Kuchar, R., 22.03.2023, Popular Music Scenes : Regional and Rural Perspectives . Bennett, A., Cashman, D., Green, B. & Lewandowski, N. (eds.). Cham: Palgrave Macmillan, p. 163-178 16 p. (Pop Music, Culture, and Identity; vol. Part F1535).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review