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Florian Hoof

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Florian Hoof

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Dr. Florian Hoof

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    1. Published

      Between the Front Lines: Vocational Training Films, Machine Guns and the Great War

      Hoof, F., 09.2018, Cinema's Military Industrial Complex. Wasson, H. & Grieveson, L. (eds.). Berkeley: University of California Press, p. 177-191 15 p.

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    2. ‘Speed Metal’ - Medien industrieller Produktion und tayloristische Arbeitsorganisation

      Hoof, F., 2017, In: Ilinx. Berliner Beiträge zur Kulturwissenschaft. 4, p. 3–22 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    3. Medien der Entscheidung – Einleitung

      Conradi, T., Hoof, F. & Nohr, R., 2016, Medien der Entscheidung. Hoof, F., Conradi, T. & Nohr, R. (eds.). Münster: LIT Verlag, p. 7-22 16 p.

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

    4. Medien der Entscheidung

      Conradi, T. (ed.), Hoof, F. (ed.) & Nohr, R. (ed.), 2016, Berlin, Münster: LIT Verlag. 236 p. (Medien ' Welten; vol. 27)

      Research output: Books and anthologies › Collected editions and anthologies › Research

    5. Fight Pictures – Pay-TV – Streaming. Piraterie von Livesport in medienhistorischer Perspektive

      Hoof, F., 08.2017, In: WerkstattGeschichte. 74, p. 67–84 18 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    6. The Agency of the Agency. Why do all Corporate Image Films Look the Same?

      Hediger, V. & Hoof, F., 04.03.2016, A History of Cinema Without Names.: A Research Project . Cavallotti, D., Giordano, F. & Quaresima, L. (eds.). Udine: Mimesis International, p. 209-218 10 p. (Proceedings XXI International Film Studies Conference Udine).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    7. Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market.

      Hoof, F., 2016, The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination. Hagner, M., Hediger, V. & Strohmaier, A. (eds.). London: Palgrave Macmillan, p. 149-163 15 p.

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    8. Labor in a Single Shot, Harun Farocki/Antje Ehmann, Museum Folkwang, Essen. Exhibition review.

      Hoof, F., 19.02.2015, In: aniki. Portugese Journal of the Moving Image. 2, 1, p. 170-174 5 p.

      Research output: Journal contributions › Critical reviews › Research

    9. Decision|Culture. Das Ornament der Finanzkrise

      Hoof, F., 2015, Spekulantenwahn: Zwischen ökonomischer Rationalität und medialer Imagination.. von Braun, C. & Dorn, D. (eds.). Berlin: Neofelis Verlag, p. 111-134 24 p.

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

    10. Live Sports, Piracy and Uncertainty: Understanding Illegal Streaming Aggregation Platforms

      Hoof, F., 2016, Geoblocking and Global Video Culture. Lobato, R. & Meese, J. (eds.). Amsterdam: Institute of Network Cultures, p. 86-93 8 p.

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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