Professorship for Contemporary Art
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
- 2016
- Published
Fahrten & Fährten: Zur Kamera in Eric Hattans Videoräumen
Kuhn, E., 2016, Eric Hattan Works: Werke Œuvres 1979–2015. Spira, A. & Eitel, L. (eds.). Berlin: Holzwarth Publications, p. 175-185 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter
Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Film Implosion! Ein Rundgang durch den ausgestellten Film.
Kuhn, E., 2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 1, p. 20-21 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO
Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Upheaval in the Depot’s Wake: Rehearsal and Drawing in the Work of Tamar Getter
Leeb, S., 08.2016, Putting Rehearsals to the Test: Practices of Rehearsel in Fine Arts, Film, Theater, Theory, and Politics. Buchmann, S., Lafer, I. & Ruhm, C. (eds.). Berlin: Sternberg Press, p. 152-167 16 p. (Publication series of the Academy of Fine Arts Vienna; vol. 19).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Alltag als Form des Widerstands. Oder: Vom Haushalt mit den Bildern. Zum Kino von Chantal Akerman
Kuhn, E., 09.2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 6, p. 54-58 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Plädoyer für eine kulturwissenschaftliche Ästhetik aus Perspektive der cultural studies
Leeb, S. & Sonderegger, R., 10.2016, In: Kulturwissenschaftliche Zeitschrift. 1, 1, p. 56-62 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die Kunst der Stunde. Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt/M.
Leeb, S., 12.2016, In: Texte zur Kunst. 104, p. 204-209 6 p.Research output: Journal contributions › Critical reviews › Research
- 2017
- Published
Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Mathieu K. Abonnenc / Lotte Arndt / Catalina Lozano: (ed.) Crawling Doubles. Colonial Collecting And Affect. Amsterdam: Idea Books 2016.
Leeb, S., 2017, In: Kunstform . 18, 7Research output: Journal contributions › Critical reviews › Research