Professorship for Contemporary Art

Organisational unit: Section

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

  1. Published

    "Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon

    Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.

    Research output: Journal contributionsJournal articlesResearch

  2. Published

    Museums, Transculturality and the Nation-State: Case Studies from a Global Context

    Leeb, S. (ed.) & Samuel, N. (ed.), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest

    Breimaier, A. (ed.) & Gründig, M. (ed.), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)

    Research output: Books and anthologiesExhibition cataloguesTransfer

  4. Published

    Aspekte der Maschinenästhetik

    Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).

    Research output: Contributions to collected editions/worksChapter

  5. In preparation

    Der Avantgardefilm. Filmgeschichte kompakt

    Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)

    Research output: Books and anthologiesMonographsResearch

  6. Published

    Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY

    Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Unerhörte Musen

    Kuhn, E., 2020, In: Filmbulletin. Zeitschrift für Film und Kino. 62, 384, p. 34-35 2 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  9. Published

    Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/worksChapterpeer-review

  10. Published

    A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography

    Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 209-236 28 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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