Professorship for Art History

Organisational unit: Section

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

  1. Published

    Distanz und Leidenschaft: Diderots Auftritte vor dem Bild

    Söntgen, B., 2014, Sprechen über Bilder, Sprechen in Bildern: Studien zum Wechselverhältnis von Bild und Sprache. Bader, L., Didi-Huberman, G. & Grave, J. (eds.). Berlin: Deutscher Kunstverlag GmbH, p. 33 - 50 18 p. (Passagen/Passages; vol. 46).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Hannah Wilke: Superstar

    Söntgen, B., 06.02.2015, Feministische Avantgarde: Kunst der 1970er-Jahre aus der SAMMLUNG VERBUND, Wien. Schor, G. (ed.). Wien: Prestel Verlag, p. 157 - 166 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Photographic Premises: Notes on the Exposure of Interiors around 1900

    Brons, F., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Berlin / Boston : Walter de Gruyter GmbH, p. 261-278 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Sigrid Kopfermann

    Hosseini, A., 2008, Kunstsammlungen der Ruhr-Universität Bochum – Campusmuseum Sammlung Moderne. Hoppe-Sailer, R. & Wappler, F. (eds.). Düsseldorf: Richter Verlag, p. 59-61 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Art World's End: Mara Kölmel über Ryan Trecartin im KW Institute for Contemporary Art, Berlin

    Kölmel, M-J., 12.2014, In: Texte zur Kunst. 96, p. 199-200 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published
  7. Published

    Ins Bild kommen, im Bild sein: Versuch über den Auftritt in un/bewegten Bildern

    Söntgen, B., 2014, Auftreten: Wege auf die Bühne. Vogel, J. & Wild, C. (eds.). Berlin: Theater der Zeit, p. 189-215 27 p. (Recherchen; vol. 115).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    "Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft

    Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  9. Published

    Warum Diderot? Eine Projektskizze

    Söntgen, B., 2013, In: Texte zur Kunst. 90, June, p. 61-70 10 p.

    Research output: Journal contributionsCritical reviewsTransfer

  10. Published

    Chardin: Inwardness - Emotion - Communication

    Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter GmbH, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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