Professorship for Art History
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
- Contributions to collected editions/anthologies › Research › Peer-reviewed
- Published
"How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s
Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer, E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934
Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
"Ich leide, also bin ich": Selbstverfügter Schmerz als äußerstes Mittel politischer Kunst
Söntgen, B. E., 2016, Ulay: Life-Sized. Ulrich, M. (ed.). Leipzig: Spector Books, p. 111-117 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Immer wieder Thérèse. Balthus' Mädchenbilder.
Söntgen, B. E., 2018, Balthus. Bouvier, R. (ed.). 1 ed. Berlin: Hatje Cantz Verlag, p. 131-141 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Innen und Außen: Interieurvorhänge in der Malerei um 1900
Söntgen, B. E., 2016, Hinter dem Vorhang: Verhüllung und Enthüllung seit der Renaissance – von Tizian bis Christo. Blümle, C. & Wismer, B. (eds.). München: Hirmer, p. 226-236 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Interieur und Zimmerbild: Zur bürgerlichen Darstellungskultur
Söntgen, B., 2011, Innenseiten des Gartenreichs: Die Wörlitzer Interieurs im englisch-deutschen Kulturvergleich. Holm, C. & Dilly, H. (eds.). Halle (Saale): Mitteldt. Verl., p. 19-33 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Jungfräuliche Membranen: Vom Pergament zum iPad
Kuhn, H., 2021, Hautlichkeit : Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 161-180 20 p. (DesignWissen; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
La première œuvre de Gustave Courbet (1819-1877)
Marchal, S., 2014, La première œuvre: Arts et musique (XVe - XXIe siècles). Meyer, V., Cotro, V. & Pujalte-Fraysse, M-L. (eds.). Rennes: Presses universitaires de Rennes , p. 177-187 11 p. (Collection art & société).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Leben mit Bildern, Leben in Bildern
Söntgen, B. E., 2016, Sprezzatura: Geschichte und Geschichtserzählung zwischen Fakt und Fiktion. Burkart, L., von Müller, C. & von Müller, J. (eds.). Göttingen : Wallstein Verlag, p. 71-76 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Mon masque appartient à tous: Die selbstdarstellerischen Praktiken Gustave Courbets
Marchal, S., 2016, Hermeneutik des Gesichts: Das Bildnis im Blick aktueller Forschung. Fleckner, U. & Hensel, T. (eds.). Berlin: Walter de Gruyter GmbH, p. 391-410 20 p. (Schriften des Internationalen Warburg Kollegs; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review