Professorship for Art History

Organisational unit: Section

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

  1. Published

    Hans von Marées als entwicklungsgeschichtlicher Gipfelpunkt moderner Malerei? Zum Bildverständnis von Julius Meier-Graefe

    Marchal, S., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 149-161 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Haunted Memories. Landscapes of the Mind: Parallele Bildverfahren im Werk von Erna Rosenstein und Aubrey Williams

    Kipke, A., 09.2023, In: Kunstforum international. 291, p. 78-85 8 p.

    Research output: Journal contributionsJournal articlesTransfer

  3. Accepted/In press

    HGB Leipzig, Schiffbauerdamm, Ostkreuz: die Wende der ‚freien‘ Fotografie

    Neugärtner, S., 2024, (Accepted/In press) Die Fotografie und ihre Institutionen. Yacavone, K. & Schürmann, A. (eds.). Berlin: Reimer Verlag

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    "How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s

    Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer, E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934

    Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    "Ich leide, also bin ich": Selbstverfügter Schmerz als äußerstes Mittel politischer Kunst

    Söntgen, B. E., 2016, Ulay: Life-Sized. Ulrich, M. (ed.). Leipzig: Spector Books, p. 111-117 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    "Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft

    Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    Image Noise

    Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Im Gespräch bleiben: Notizen zur Kunstkritik

    Söntgen, B., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 3-14 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Im Gespräch bleiben. Notizen zur Kunstkritik

    Söntgen, B. E., 2018, In: Regards Croisés. 8, p. 98-108 11 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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