Professorship for Art History
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
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Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila
Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker
Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Der Betrachter ist im Bild. Kunstwissenschaft und Rezeptionsästhetik
Kemp, W. (ed.), 1992, Berlin: Dietrich Reimer Verlag. 353 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Der literarische Agent. Peter Hacks’ publizistische Netzwerke
Klinkenbusch, I. L., 2017, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 71–80 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Diane H. Bodart: Pouvoirs du portrait sous les Habsbourg d'Espagne, Paris, CTHS 2011
Marchal, S., 15.10.2014, In: sehepunkte - Rezensionsjournal für die Geschichtswissenschaften . 14, 10Research output: Journal contributions › Critical reviews › Research
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Diderot, or The Power of Critique
Söntgen, B. E., 2019, The Value of Critique: Exploring the Interrelations of Value, Critique, and Artistic Labour . Graw, I. & Menke, C. (eds.). 1. ed. Frankfurt am Main : Campus Verlag, p. 53-72 20 p. (Normative Orders; vol. 26).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Explosion als Bildgegenstand im und in Reaktion auf den Ersten Weltkrieg
Marchal, S., 2013, L’Explosion en point de mire / Die Explosion vor Augen. Felten, G., Golgotiu, C. & Plas, G. (eds.). Königshausen & Neumann, p. 175-198 15 p. (Forum: Studien zur Moderneforschung; no. 7).Research output: Contributions to collected editions/works › Article in conference proceedings › Research