Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
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Art World's End: Mara Kölmel über Ryan Trecartin im KW Institute for Contemporary Art, Berlin
Kölmel, M.-J., 12.2014, In: Texte zur Kunst. 96, p. 199-200 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Diane H. Bodart: Pouvoirs du portrait sous les Habsbourg d'Espagne, Paris, CTHS 2011
Marchal, S., 15.10.2014, In: sehepunkte - Rezensionsjournal für die Geschichtswissenschaften . 14, 10Research output: Journal contributions › Critical reviews › Research
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Ins Bild kommen, im Bild sein: Versuch über den Auftritt in un/bewegten Bildern
Söntgen, B., 2014, Auftreten: Wege auf die Bühne. Vogel, J. & Wild, C. (eds.). Berlin: Theater der Zeit, p. 189-215 27 p. (Recherchen; vol. 115).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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"Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft
Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Warum Diderot? Eine Projektskizze
Söntgen, B., 2013, In: Texte zur Kunst. 90, June, p. 61-70 10 p.Research output: Journal contributions › Critical reviews › Transfer
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Chardin: Inwardness - Emotion - Communication
Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Forschungsbericht zu Henry van de Velde: Von der Avantgarde zur Arrieregarde
Marchal, S. & Möllmer, T., 2014, In: Kunstchronik. 67, 12, p. 599-609 11 p.Research output: Journal contributions › Critical reviews › Research
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Julius Meier-Graefe: Vom „Kampf um“ zur „Sehnsucht nach“ dem Stil
Marchal, S., 01.04.2014, In: Kritische Berichte. 42, 1, p. 35-46 11 p.Research output: Journal contributions › Journal articles › Research
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Touching Things
Söntgen, B., 2013, The challenge of the object . Die Herausforderung des Objekts: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012. Großmann, G. U. & Krutisch, P. (eds.). Verlag des Germanischen Nationalmuseums, Vol. 4. p. 1188-1191 4 p. (Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Buchbesprechung: Eva Kernbauer, Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert, Köln/Weimar/Wien: Böhlau, 2011, 338 S., ISBN 978-3-412-20555-3
Söntgen, B., 2014, In: Zeitschrift für Kunstgeschichte. 77, 2, p. 283-286 4 p.Research output: Journal contributions › Critical reviews › Research
