Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. Published

    Foto-Essays: zur Geschichte und Theorie der Fotografie

    Kemp, W., 2006, München: Schirmer/Mosel Verlag. 175 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Kemp-Reader: Ausgewählte Schriften von Wolfgang Kemp

    Heck, K. (Editor), Jöchner, C. (Editor) & Kemp, W., 2006, München: Deutscher Kunstverlag. 352 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Die Räume der Maler: Zur Bilderzählung seit Giotto

    Kemp, W., 1996, München: C.H. Beck Verlag. 208 p.

    Research output: Books and anthologiesMonographsResearch

  4. Published

    Zeitgenössische Kunst und ihre Betrachter

    Kemp, W. (Editor), 1996, Köln: Oktagon Verlag. 197 p. (Jahresring; no. 43)

    Research output: Books and anthologiesMonographsResearch

  5. Published

    Christliche Kunst: ihre Anfänge, ihre Strukturen

    Kemp, W., 1994, München: Schirmer/Mosel Verlag. 307 p.

    Research output: Books and anthologiesMonographsResearch

  6. Published

    Sermo corporeus: Die Erzählung der mittelalterlichen Glasfenster

    Kemp, W., 1987, München: Schirmer/Mosel Verlag. 300 p.

    Research output: Books and anthologiesMonographsResearch

  7. Published

    Der Betrachter ist im Bild. Kunstwissenschaft und Rezeptionsästhetik

    Kemp, W. (Editor), 1992, Berlin: Dietrich Reimer Verlag. 353 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  8. Published

    Bei sich sein: Szenen des Privaten in den Fotografien von Richard Billingham und Nan Goldin

    Söntgen, B., 2012, Hold it !: Zur Pose zwischen Bild und Performance. Brandl-Risi, B., Brandstetter, G. & Diekmann, S. (eds.). Berlin: Verlag Theater der Zeit, p. 96-111 16 p. (Theater der Zeit, Recherchen; no. 89).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Familienbande und Beziehungsmuster: Zum Ornamentalen in Édouard Vuillards Grand Intérieur

    Söntgen, B., 2012, Ornament: Motiv - Modus - Bild. Beyer, V. & Spies, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 91-115 25 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Abstand nehmen: Bonnards Welt

    Söntgen, B., 2012, Pierre Bonnard. B. M. A. & Küster, U. (eds.). Ostfildern: Hatje Cantz Verlag, p. 150-155 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review