Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
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Sigrid Kopfermann
Hosseini, A., 2008, Kunstsammlungen der Ruhr-Universität Bochum – Campusmuseum Sammlung Moderne. Hoppe-Sailer, R. & Wappler, F. (eds.). Düsseldorf: Richter Verlag, p. 59-61 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Seth Price. Decimating Digital Data
Neugärtner, S., 28.03.2023, Productive Image Interference. Sigmar Polke and Current Perspectives. Anna Polke-Stiftung (ed.). Berlin: Distanz Verlag, p. 59-74 16 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Sermo corporeus: Die Erzählung der mittelalterlichen Glasfenster
Kemp, W., 1987, München: Schirmer/Mosel Verlag. 300 p.Research output: Books and anthologies › Monographs › Research
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Schlemmer, Oskar
Mordhorst, S., 2017, Das große Tanzlexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 2 ed. Laaber: Laaber Verlag, p. 543-544 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Schichtungen: Zur Malerei von Thomas Scheibitz
Söntgen, B., 2012, Thomas Scheibitz. One Time Pad: One Time Pad. Gaensheimer, S. (ed.). Berlin: Verlag der Buchhandlung Walther König, p. 77-89 13 p.Research output: Contributions to collected editions/works › Other › Transfer
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Romana Weiershausen. Zeitenwandel als Familiendrama: Genre und Politik im deutschsprachigen Theater des 18. Jahrhunderts
Woisnitza, M., 01.04.2020, In: Seminar, A Journal of Germanic Studies. 56, 2, p. 179-181 3 p.Research output: Journal contributions › Critical reviews › Research
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Rez: Volker Neuhaus, Per Ohrgaard, Jörg-Philipp Thomsa (Hg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Bd. 1, Bd. 2, Bd. 3: Widerhall auf das Jahr der Revolten 1968
Klinkenbusch, I. L., 2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research
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Resonanzräume: ‚Neue‘ Kunstkritik und ‚neues‘ Sammeln um 1900
Marchal, S., 2014, Kunst ohne Geschichte. Ästhetisch motiviertes Sammeln in Europa und Amerika: Symposium in der Sammlung Oskar Reinhart "Am Römerholz", Winterthur 2012, Akten des internationalen Symposiums in der Sammlung Oskar Reinhart »Am Römerholz« am 7. und 8. September 2012.. Reinhard-Felice, M. (ed.). Hirmer, p. 51-58 8 p. (Scripta manent. Schriften zur Sammlung Oskar Reinhart «Am Römerholz»; vol. 1).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Renaissancen der Passion
Söntgen, B. & Brandstetter, G., 2012, Köln: August Verlag. 98 p. (Flaubert Lectures; vol. 4)(Kleine Edition; vol. 11)Research output: Books and anthologies › Monographs › Research › peer-review
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Prendre la bordure comme thème: Henri de Toulouse-Lautrec und Bewegung im Bild.
Mordhorst, S., 2013, Peripherie: 81. Kunsthistorischer Studierendenkongress Siegen. Andert, L. & Röhl, A. (eds.). Edition Imorde, p. 47-60 14 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research