Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
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Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila
Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Dada Data: Contemporary Art in the Era of Post-Truth Politics
Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed
Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Critique: The Stakes of Form
Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Critical Stances: An Introduction to The Stakes of Form.
Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Christliche Kunst: ihre Anfänge, ihre Strukturen
Kemp, W., 1994, München: Schirmer/Mosel Verlag. 307 p.Research output: Books and anthologies › Monographs › Research
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Chardin: Inwardness - Emotion - Communication
Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter GmbH, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Cancan
Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 1 ed. Laaber: Laaber Verlag, p. 132-133 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Büchner getanzt: "Leonce und Lena" am Aalto-Theater Essen
Mordhorst, S., 2008, Industriekathedralen: Schauplatz Ruhr - Jahrbuch zum Theater im Ruhrgebiet. Haß, U. & Hiß, G. (eds.). Berlin: Verlag Theater der Zeit, p. 109 1 p. (Schauplatz Ruhr; vol. 2008).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research