Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. Published

    Foto-Essays: zur Geschichte und Theorie der Fotografie

    Kemp, W., 2006, München: Schirmer/Mosel Verlag. 175 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    From Revolution to Reformation: From the Figurative Constructivism of the Cologne Progressives to Léna Meyer-Bergner’s Isotype in Mexico as Anti-imperialist Strategy, 1920–1946

    Neugärtner, S., 12.2022, From Posada to Isotype, from Kollwitz to Catlett: Exchange of Political Print Culture. Germany–Mexico, 1900–1968. Buchloh, B. & Harewood, M. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofía, p. 400–417 18 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  3. Published

    From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?

    Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter GmbH, p. 229-246 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik

    Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  5. Published

    Ge-/Beschriebenes Gesicht: Zwischen Poetisierung, Physiognomik und Ausdruck

    Wälchli, T. & Woisnitza, M., 2017, Das Gesicht: Bilder, Medien, Formate. Weigel, S. (ed.). 1 ed. Göttingen : Wallstein Verlag, p. 40-46 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Gehen: Festschrift für Hannes Böhringer

    Vahrson, V. (Editor), Märtens, S. (Editor) & Söntgen, B. (Editor), 2012, Köln: Salon Verlag . 203 p. (Graue Reihe)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  7. Published

    Generation "Kautschukmann": Hermann Bahrs Kunstkritik im Kontext

    Marchal, S., 2014, Hermann Bahr - Österreichischer Kritiker europäischer Avantgarden. Müller, M. A., Pias, C. & Schnödl, G. (eds.). Peter Lang Verlag, p. 113-135 23 p. (Jahrbuch für Internationale Germanistik. Kongressberichte).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  8. Published

    Geschichte der Fotografie : von Daguerre bis Gursky

    Kemp, W., 2011, C.H. Beck Verlag. 128 p. (C.H. Beck Wissen; vol. 2727)

    Research output: Books and anthologiesMonographsTransfer

  9. Published

    Gustave Courbet in seinen Selbstdarstellungen: Forschungsbericht

    Marchal, S., 2012, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 32, 125, p. 72-73 2 p.

    Research output: Journal contributionsJournal articlesResearch

  10. Published

    Hannah Wilke: Superstar

    Söntgen, B., 06.02.2015, Feministische Avantgarde: Kunst der 1970er-Jahre aus der SAMMLUNG VERBUND, Wien. Schor, G. (ed.). Wien: Prestel Verlag, p. 157 - 166 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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