Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
- 2012
Jenseits von Wand und Vitrine: Mobile, projizierte und ephemere Bilder einer Ausstellung
Brons, F. (Lecturer)
27.06.2012Activity: Talk or presentation › Guest lectures › Education
„‚In Conflict with Oneself’. On the Necessity of Collision on Schiller’s Stage“.
Woisnitza, M. (Speaker)
29.03.2012 → 01.04.2012Activity: Talk or presentation › Conference Presentations › Research
„Die Erziehung des Publikums. Lessing’s Dramaturgy of Stepwise Enlightenment in Minna von Barnhelm“.
Woisnitza, M. (Speaker)
22.03.2012 → 25.03.2012Activity: Talk or presentation › Conference Presentations › Research
„Meta-Representation of World War II in Tarantino’s Inglourious Basterds“.
Woisnitza, M. (Speaker)
02.2012Activity: Talk or presentation › Guest lectures › Education
Leuphana Universität Lüneburg (Organisational unit)
Söntgen, B. (Member)
2012 → 2019Activity: Membership › Leuphana academic councils and committees › Leuphana Academic Committees
- 2011
Internationale Photographische Ausstellung Dresden 1909: Methoden und Modelle einer Exposition
Brons, F. (Lecturer)
29.11.2011Activity: Talk or presentation › Guest lectures › Education
Spektakuläre Experimente oder das Spiel mit Leben und Tod
Hosseini, A. (Lecturer)
07.10.2011Activity: Talk or presentation › Guest lectures › Transfer
Bildpraktiken, Eikones Summer School - 2011
Hosseini, A. (Participant)
29.08.2011 → 02.09.2011Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Research
„Lessing’s Freedom of Imagination and its Regulation on Stage“.
Woisnitza, M. (Speaker)
17.03.2011 → 20.03.2011Activity: Talk or presentation › Conference Presentations › Research
„Making Characters. Lessing’s Dramaturgy of Imagination“.
Woisnitza, M. (Speaker)
06.01.2011 → 09.01.2011Activity: Talk or presentation › Conference Presentations › Research
Volkswagen Foundation (External organisation)
Söntgen, B. (Member of the Board of Curators)
2011 → 2021Activity: Membership › Bodies of private companies and organisations › Transfer
- 2010
Laboratorium Mensch - 2010
Hosseini, A. (Speaker)
22.10.2010 → 23.10.2010Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Transfer
Prometheus Interdisziplinäre Sommerakademie - 2010
Hosseini, A. (Participant)
30.08.2010 → 09.09.2010Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Transfer
„Zur hermeneutischen Funktion der Einbildung bei Luther und Lessing“.
Woisnitza, M. (Speaker)
08.07.2010 → 10.07.2010Activity: Talk or presentation › Conference Presentations › Research
Auf der Ipha. Fotografie im Jahr 1909
Brons, F. (Lecturer)
24.06.2010Activity: Talk or presentation › Guest lectures › Education
Fotografie verwahren: Eine erste Recherche
Brons, F. (Lecturer)
18.05.2010Activity: Talk or presentation › Guest lectures › Research
Fotografie ausstellen: Ein historischer Rundgang
Brons, F. (Lecturer)
17.05.2010Activity: Talk or presentation › Guest lectures › Education
Die Seifenblase als optisches Instrument des 18. Jahrhunderts
Hosseini, A. (Speaker)
22.02.2010Activity: Talk or presentation › Guest lectures › Transfer
- 2009
Ausstellung „Ulrich Rückriem. Zeichnungen und Skulpturmodelle“
Hosseini, A. (Organiser)
03.12.2009 → 11.04.2010Activity: Participating in or organising an academic or articstic event › trade fairs and exhibitions › Transfer
Fotografie als 'Frucht der Schöpfung': Die monetäre Potenz der Fotografie im 19. Jahrhundert
Kuhn, H. (Speaker)
15.01.2009Activity: Talk or presentation › Guest lectures › Research