Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.

The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:

  • Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
  • User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences? 
  • Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
  • Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
  • Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
  • Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
  • Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?

Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.

Topics

  • Transmedia
  • User and Audience Research 
  • Gamification
  • Common Media
  • Net based Public Broadcast
  • Hybrid Publishing
  • Computer Simulation
  • Artistic Research
  • New Teaching Formats
  1. Published

    Kinder machen: Neue Reproduktionstechnologien und die Ordnung der Familie ; Samenspender, Leihmütter, Künstliche Befruchtung

    Bernard, A., 27.03.2014, 1. Aufl. ed. Frankfurt am Main: Fischer Taschenbuch-Verlag. 544 p.

    Research output: Books and anthologiesMonographsTransferpeer-review

  2. Published

    Kinects Bühne: Selbstorganisierte Mimesis

    Kaldrack, I., 19.02.2014, Bühne: Raumbildende Prozesse im Theater. Eke, N. O., Haß, U. & Kaldrack, I. (eds.). Paderborn: Wilhelm Fink Verlag, p. 191-204 13 p. (Schriftenreihe des Graduiertenkollegs 'Automatismen').

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Klingen des W. Gelächter

    Beyes, T., 2020, WH - Stimmen hören. Klaut, M., Pias, C. & Schnödl, G. (eds.). Berlin: ciconia ciconia Verlag, p. 25-29 5 p. (Ciconia ciconia; vol. 34).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Kollegialität: Eine Ethnographie der Belegschaftskultur im Kaufhaus

    Bachmann, G., 2014, Frankfurt/New York : Campus Verlag. 449 p. (Arbeit und Alltag : Beiträge zur ethnografischen Arbeitskulturenforschung; vol. 3)

    Research output: Books and anthologiesMonographsResearch

  5. Published

    Komplizen des Erkennungsdienstes: Das Selbst in der digitalen Kultur

    Bernard, A., 2017, Frankfurt am Main: S. Fischer Verlag. 236 p.

    Research output: Books and anthologiesMonographsResearch

  6. Published

    Krise der Kunstkritik? Teil I

    Wuggenig, U., 2013, In: Kunstforum international. 40, 221, p. 80-91 12 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Krise der Kunstkritik? Teil II

    Wuggenig, U., 2013, In: Kunstforum international. 40, 221, p. 114-123 10 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Krisen und Diskurse - das Kunstjahr 2023 aus Berliner Sicht

    Tollmann, V., 30.03.2024, In: POP. Kultur und Kritik. 13, 1, p. 46-57 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Krise oder goldenes Zeitalter? Befunde zum Status der Kritiker/innen und zur Lage der Kunstkritik

    Wuggenig, U., 02.12.2013, WHAT’S NEXT?: Kunst nach der Krise. Ein Reader. Hedinger, J. M. & Meyer, T. (eds.). Berlin: Kulturverlag Kadmos , p. 610-615 6 p. 172

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesEducation

  10. Published

    Kritik in digitalen Kulturen: Begegnungen zwischen Entsagung, Revolution und Affirmation

    Leeker, M., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 83-102 20 p. (Digital Cultures Series).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Kritik postdigital

    Hille, L. (ed.) & Wentz, D. (ed.), 2023, Lüneburg: meson press. 140 p. (Digital Cultures Series)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  12. Published

    Kritische Öffentlichkeit und ihre Herstellung

    Bunz, M., 2013, In: Zeitschrift für Medien- und Kulturforschung. 4, 2, p. 63-70 8 p.

    Research output: Journal contributionsJournal articlesResearch

  13. Published

    Kulturelles Kapital und soziale Schließung in den Kunstfeldern von Hamburg, Wien und Paris

    Wuggenig, U. & Drechsel, S., 1997, Kunst auf Schritt und Tritt : Public Art is Everywhere. Müller, C. P. & Könneke, A. (eds.). Hamburg: Kellner, p. 68-75 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  14. Accepted/In press

    Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit

    Pias, C. (ed.), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  15. Published

    "Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik

    Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  16. Published

    Kultursoziologie in Großbritannien

    Traue, B. C., 2016, Handbuch der Kultursoziologie: Band 1: Begriffe – Kontexte – Perspektiven – Autor_innen. Moebius, S., Nungesser, F. & Scherke, K. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 1. p. 123-139 16 p. ( Springer Reference Sozialwissenschaften).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  17. Published

    Kunstfeldforschung

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  18. Published

    Kunsthochschulen, Universitäten und der Bologna-Prozess

    Wuggenig, U., 08.04.2008, Hamburg : Verein zur Förderung von Kunst und Kritik e.V. .

    Research output: other publicationsArticles in scientific forums or blogsResearch

  19. Published

    Kunst im öffentlichen Raum und ästhetischer Kommunitarismus

    Wuggenig, U., 1997, Kunst auf Schritt und Tritt: Public Art is Everywhere. Müller, C. P. & Könneke, A. (eds.). Hamburg: Kellner, p. 76-93 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  20. Published

    Kunstkammer, Ostasiatische Weltkunst, Expressionistische Avantgarde neben Rokoko und Bauhaus-Moderne. Die Bildwelten des Leopold Reidemeister, visionärer Erbe Wilhelm von Bodes zwischen Kaiserreich und Avantgarde

    Severin, I. L., 08.2017, Leopold Reidemeister: Ein deutscher Museumsmann. Moeller, M. M. (ed.). München: Hirmer, p. 14-67 43 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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