Institute of Fine Arts, Music and Education
Organisational unit: Institute
Organisation profile
The Institute of Fine Arts, Music and Education combines artistic, pedagogical and research-based expertise within the disciplines fine arts and music, with a particular emphasis on contemporary forms and practice. Lecturers offer modules for students enrolled in the Bachelor and Masters programmes within the faculties of Education and Humanities, in addition to the minor programme Popular Music Studies and the Early Childhood Music Further Education programme. Public exhibitions, concerts and other cultural events are of great importance within in the institute. These collaborative projects are innovatively developed and presented with and for our students thereby enriching the cultural life of the university.
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Black Pedagogy 4.0: Art as a School Subject in the Wake of Competence Orientation and Digitalization
Maset, P., 2017, Scenarios of Knowledge at Universities in Change : Perspectives of the Humanities, the Educational and the Cultural Sciences . Kraus, A. (ed.). Münster: Waxmann Verlag, p. 61-68 8 p. ( European Studies in Education; vol. 35).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Bildkompetenz: Kunstvermittlung im Spannungsfeld analoger und digitaler Bilder
Schaper, F., 01.11.2012, Bielefeld: transcript Verlag. 166 p. (Image; vol. 43)Research output: Books and anthologies › Book
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Bilder vom Gehirn: bildwissenschaftliche Zugänge zum Gehirn als Seelenorgan
Larink, W., 2011, Berlin: Walter de Gruyter GmbH. 521 p.Research output: Books and anthologies › Monographs › Research
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Big Data und Musik: Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018
Ahlers, M. (ed.), Grünewald-Schukalla, L. (ed.), Lücke, M. (ed.) & Rauch, M. (ed.), 2019, Wiesbaden: Springer VS. 233 p. (Jahrbuch für Musikwirtschafts- und Musikkulturforschung; vol. 1)Research output: Books and anthologies › Collected editions and anthologies › Research
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Bewegungsabläufe nervöser Kunstbegriffe
Maset, P., 2002, Dürfen die das? Kunst als sozialer Raum: Art, Education, Cultural Work, Communities. Rollig, S. & Sturm, E. (eds.). 1. ed. Wien: Verlag Turia + Kant, p. 85-96 12 p. (Museum zum Quadrat; vol. 13).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Bernward Halbscheffel: Progressive Rock. Die Ernste Musik der Popmusik.
Ahlers, M., 2014, In: Die Musikforschung. 67, 1, p. 92-93 2 p.Research output: Journal contributions › Critical reviews › Research
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Berimbau. Der afro-brasilianische Musikbogen – Geschichte, Klangwelt und Spielweise, Ulla Levens, Drachen-Verlag.
Schormann, C., 2013, In: Praxis des Musikunterrichts. 68, 115, p. 53 1 p.Research output: Journal contributions › Critical reviews › Research
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Bella ciao: ein traditionelles politisches Lied in den Charts
Zuther, D., 20.08.2018, In: Praxis des Musikunterrichts. 135, p. 4-13 10 p.Research output: Journal contributions › Journal articles › Transfer
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Befremden in der Kunstvermittlung
Mocak, M., 2009, Die Landung: Projekte der Kunstvermittlung. Maset, P. (ed.). Norderstedt: Books on Demand GmbH, p. 35-46 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Bastian Lange, Hans-Joachim Bürkner & Elke Schüßler: Akustisches Kapital. Wertschöpfung in der Musikwirtschaft
Ahlers, M., 01.01.2019, Musik und Stadt: Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018. Grünewald-Schukalla, L., Lücke, M., Rauch, M. & Winter, C. (eds.). Wiesbaden: Springer VS, p. 233-235 3 p. (Jahrbuch für Musikwirtschafts- und Musikkulturforschung; vol. 2/2018).Research output: Contributions to collected editions/works › Critical Reviews › Research