Institute of Fine Arts, Music and Education
Organisational unit: Institute
Organisation profile
The Institute of Fine Arts, Music and Education combines artistic, pedagogical and research-based expertise within the disciplines fine arts and music, with a particular emphasis on contemporary forms and practice. Lecturers offer modules for students enrolled in the Bachelor and Masters programmes within the faculties of Education and Humanities, in addition to the minor programme Popular Music Studies and the Early Childhood Music Further Education programme. Public exhibitions, concerts and other cultural events are of great importance within in the institute. These collaborative projects are innovatively developed and presented with and for our students thereby enriching the cultural life of the university.
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Kompetenzorientierung und "Schwarze Pädagogik 4.0": Eine Replik auf Franz Billmayers Beitrag in den BDK-Mitteilungen 2/2018
Maset, P., 2018, In: BDK-Mitteilungen. 54, 3, p. 14-15 2 p.Research output: Journal contributions › Journal articles › Research
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Kompetenzorientierte Seminarbausteine für adaptives Klassenmusizieren: Eine Analyse aus der Perspektive des Handlungsmodells adaptiver Lernunterstützung
Verbücheln, E-M. & Ahlers, M., 19.03.2024, In: PFLB - Zeitschrift für Schul- und Professionsentwicklung. 6, 2, p. 24–42 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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“Kollegah the Boss”: A Case Study on Appropriation, Acoustic Capital, and Virtuosity in German Gangsta Rap
Ahlers, M., 10.04.2017, Hamburg : Lastest Thinking GmbH.Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
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‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap
Ahlers, M., 01.10.2019, In: Popular Music. 38, 3, p. 457-480 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Klassik, Jazz, Schlager, volkstümliche Musik: Entgrenzung und Spezifizierung
Schormann, C., 2005, Die Kultur der achtziger Jahre. Faulstich, W. (ed.). Paderborn: Wilhelm Fink Verlag, p. 169-179 11 p. (Kulturgeschichte des zwanzigsten Jahrhunderts).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Klangwesen: Operation Exkurs 3
Maset, P., 2010, Szenenwechsel (3): Vermittlung von Bildender Kunst, Musik und Theater. Brandstätter, U., Dimke, A. & Hentschel, U. (eds.). Berlin: Schibri-Verlag, p. 141-148 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Klang – Kunst – Sound: Zu einem flüchtigen Material in der Bildenden Kunst
Hallmann, K., 03.2019, In: Kunst+Unterricht. 429/430, p. 36-49 14 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Kein Hauch von 68: Ein zweistimmiger Versuch zur unlustigen / irrsinnigen / wahnwitzigen Lage an den deutschen Hochschulen
Maset, P. & Steinert, D., 2012, Stabile Seitenlage. Mecklenburg, G., Bandel, J-F., Sdun, N. & Steinegger, C. (eds.). Hamburg: Textem Verlag, p. 65-83 16 p. (Kultur und Gespenster; no. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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J. S. Bach: grausame Musik? ; die Kantate "Es erhub sich ein Streit" BWV 19
Schormann, C., 2000, In: Musik und Unterricht. 58, 1, p. 50-54 5 p.Research output: Journal contributions › Journal articles › Research
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Johannes Brusila, Bruce Johnson and John Richardson (2016): Memory, Space, Sound
Ahlers, M., 29.12.2018, In: Perfect Beat. 19, 1, p. 97-98 2 p.Research output: Journal contributions › Critical reviews › Research