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Institute of Sociology and Cultural Organization

Organisational unit: Institute

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Organisation profile

The Institute of Sociology and Cultural Organisation (ISCO) is part of the Faculty of Cultural Studies. The research at ISCO is focused on topics of sociology and on issues of cultural organisation(s) in society. Mostly in the degree programs of the Faculty of Cultural Studies we teach general sociological and cultural theoretical courses and interdisciplinary courses of organisational theory with respect to arts and culture. At the following Websites you will find more detailed information about our areas of research and teaching in sociology and cultural organisation.

Main research areas

In der Forschung ist das Institut an den Schwerpunkten „Kulturen des Konflikts“ und „Digitale Kulturen“ beteiligt. Hier bringt es Analysen im Bereich der soziologischen Theorie, der politischen Soziologie, der Migrationsforschung, der Rechts- und Kriminalsoziologie, der Arbeitssoziologie, der Soziologie der Kultur sowie der Technik- und Medienforschung, aber auch Analysen von Geschlechterverhältnissen ein. Mit seinen Arbeiten leistet das Institut einen Beitrag zum Erkenntnisfortschritt auf unterschiedlichen Feldern des Soziokulturellen und seines Wandels.

 

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  1. The Creativity Complex: A Companion to Contemporary Culture

    Metelmann, J. (Editor) & Beyes, T. (Editor), 01.01.2018, Bielefeld: transcript Verlag. 255 p. (Kultur und Gesellschaft; vol. 36)

    Research output: Books and anthologies › Collected editions and anthologies › Research

  2. THE “CONSULTING DETECTIVE" NITHAN THONG-IN BY KING VAJIRAVUDH

    Waters, T., 20.06.2024, In: Journal of the Siam Society. 112, 1, p. 191-196 6 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  3. The City is our Anthropo-Scene! Art as a Verb and Urban Sustainability Transformation

    Kagan, S., 2014, Lighting People's Cities. Gay, J., Ong, S. H. & Tan, J. (eds.). Singapore: Oro Editions, p. 97-109 13 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  4. The city as an entertainment machine / Neo-bohemia, art and commerce in the postindustrial city

    Kirchberg, V., 01.06.2006, In: City & Community. 5, 2, p. 199-202 4 p.

    Research output: Journal contributions › Critical reviews › Research

  5. The Availability of Things: A Short Genealogy of Consumption

    Schrage, D., 2012, In: Krisis. Journal for Contemporary Philosophy. 1, p. 5-19 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  6. Theatralisierung des Alltags: Theatralisierung des Theaters?

    Wuggenig, U., 2001, In: Dramaturg. 16, 2, p. 31-39 9 p.

    Research output: Journal contributions › Journal articles › Research

  7. The Artists and the Dealer: The Roles of Gustave Caillebotte, Mary Cassatt und Paul Durand-Ruel in 19th Century Revolutionary Art' Provence: An Eight Issue Magazine Dedicated to Hobbies

    Wuggenig, U., 2010, In: Provence : An Eight Issue Magazine Dedicated to Hobbies. 0, p. 44-49 6 p.

    Research output: Journal contributions › Journal articles › Research

  8. The artistic spirit of cities: How cities influence artists' agency

    Kaddar, M., Barak, N., Hoop, M., Kirchberg, V. & de Shalit, A., 01.11.2022, In: Cities. 130, 103843.

    Research output: Journal contributions › Journal articles › Research › peer-review

  9. The Art audience lost their believe for a talent

    Wuggenig, U. & Munder, H., 06.2010, In: Du: Zeitschrift Der Kultur. 807, p. 142-144 3 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  10. The aftermath of colonization and forms of transactions between agriculture and industry - Exchange relations between industrialized and developing countries in the world economy of tobacco

    Zundorf, L., 08.2001, In: Zeitschrift für Soziologie. 30, 4, p. 247-266 20 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

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