http://www.leuphana.de/en/dfg-programme/kdk.html

Organisational unit: Projectteam

Organisation profile

The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.

The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.

Spokesperson: Prof. Dr. Beate Söntgen

Deputy spokesperson: Prof. Dr. Erich Hörl

  1. 2022
  2. Published

    Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  3. Published

    Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  4. Published

    Gathering Voices, Feeling Relations: Arlene Raven

    Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  5. Published
  6. Published

    Juan E. De Castro. Bread and Beauty - The Cultural Politics of José Carlos Mariátegui

    Hahn, T., 14.03.2022, Canterbury : Marx and Philosophy Society.

    Research output: other publicationsArticles in scientific forums or blogsTransfer

  7. Published

    Wege der Anti-Dialektik

    Nigro, R., 01.01.2022, Zweite Natur: Stuttgarter Hegel-Kongress 2017. Honneth, A. & Julia, C. (eds.). Frankfurt am Main: Vittorio Klostermann, p. 273-284 12 p. (GEIST UND GESCHICHTE; vol. 6)(Veröffentlichungen der Internationalen Hegel-Vereinigung ; vol. 30).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    City, not sorry: 10 Jahre Kultur der Metropole

    Kriszio, J. (ed.), Niemann, K. (ed.) & Ruhkopf, M. (ed.), 01.2022, Hamburg: HafenCity Universität Hamburg. 111 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    Die Stadt studieren

    Ruhkopf, M., 01.2022, City, not sorry: 10 Jahre Kultur der Metropole. Kriszio, J., Niemann, K. & Ruhkopf, M. (eds.). Hamburg: HafenCity Universität Hamburg, p. 14-15 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Ein vielfältiges Bild von Stadt vermitteln

    Kriszio, J. & Ruhkopf, M., 01.2022, City, not sorry: 10 Jahre Kultur der Metropole. Kriszio, J., Niemann, K. & Ruhkopf, M. (eds.). Hamburg: HafenCity Universität Hamburg, p. 38-39 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Dada postkolonial: Die Wi(e)der-Aufführung als kuratorische Praxis

    Felicitas Sabel, L., 2022, The Return of DADA / Die Wiederkehr von DADA / Le Retour de DADA: DADA Exhibitions / DADA-Ausstellungen / Expositions DADA. Mareuge, A. & Sandro, Z. (eds.). Dijon: Les Presses du Réel, Vol. 2. p. 63-78 16 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

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