http://www.leuphana.de/en/dfg-programme/kdk.html
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
- Contributions to collected editions/anthologies › Research › Peer-reviewed
- Published
Wege der Anti-Dialektik
Nigro, R., 01.01.2022, Zweite Natur: Stuttgarter Hegel-Kongress 2017. Honneth, A. & Julia, C. (eds.). Frankfurt am Main: Vittorio Klostermann, p. 273-284 12 p. (GEIST UND GESCHICHTE; vol. 6)(Veröffentlichungen der Internationalen Hegel-Vereinigung ; vol. 30).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Contributions to collected editions/anthologies › Transfer › Not peer-reviewed
- Published
Interieur
Söntgen, B. E., 2017, Matisse - Bonnard: Es lebe die Malerei! . Krämer, F. & Museum, S. (eds.). München: Prestel Verlag, p. 81-87 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Nietzsche und der Mythos
Jamme, C., 2017, Bild und Gedanke : Hermann Schweppenhäuser zum Gedenken. Schweppenhäuser, G. (ed.). Wiesbaden: Springer Fachmedien, p. 239-243 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Über Hinterbühnen und Fauxpas: Die Erinnerungskultur am Campus vor dem Hintergrund der „Leidenschaft der Ignoranz" sowie von Untermediatisierung in der Mediengesellschaft.
Wuggenig, U., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 175-182 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Contributions to collected editions/anthologies › Transfer › Peer-reviewed
- Published
Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage
Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Für's Arrangement sorgen
Lochner, O. & Schoen, K., 03.2024, PERMEATIONEN. : Durchdringungen von ästhetischer Theorie und künstlerischer Forschung . Brunner, C., Busch, K. & Ebeling, K. (eds.). Leipzig: Spector BooksResearch output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Gathering Voices, Feeling Relations: Arlene Raven
Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
»Kybernetik - passende Antwort: Cyborg«: Haraways Cyborg als Brückenschlag zwischen materialistischem und queerem Feminismus
Mattutat, L., 2020, Weiterschreiben : Anschlüsse an Rebecca Ardners »Affirmation und Negation als Figuren der Kritik«. Hanft, M., Siebert, J. & L. W. (eds.). Hamburg: Katzenberg Verlag, p. 273-286 14 p. (K; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Lonzi Lesen
Lochner, O. & Mehl, I., 31.01.2021, Carla Lonzi. Selbstbewusstwerdung: Schriften zu Kunst und Feminismus. Zapperi, G. (ed.). b-books, p. 175 - 184 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Looking at workers, working with workers: Struggles and Experiments in Collaboration in West German Arbeiterfilm in the 1970s
Jordan, U., 2021, IDENTITY IS THE CRISIS. Fischer, J. H. (ed.). 4 ed. Other Forms, Vol. 2021. p. 38-57 20 p. (Countersignals; vol. 4).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review