DFG-Researchgroup "Cultures of Critique"
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
Topics
Kunstkritik, Medienkritik, Sozialkritik
- 2023
- Published
Is Code Law? Kritik in Zeiten algorithmischer Gouvernementalität
Mattutat, L., Stubenrauch, H. & Warnsholdt, C. L., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 21-42 22 p. (Digital Cultures Series).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Ohne Lehrsatz und Methode: Kritische Theorie als geistige Praxis
Mattutat, L., 2023, In: Zeitschrift für kritische Theorie. 29, 56/57, p. 99-113 15 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Eduardo Dávila, S. (ed.), John, R. H. (ed.), Jordan, U. (ed.), Wulff, N. (ed.), Sieber, J. (ed.) & Schneider, T. (ed.), 2023, Berlin/Zürich: Diaphanes Verlag. 384 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- 2022
- Published
Hommage an die unbekannten Betrachter*innen
Schneider, T., 12.2022, Christoph John - Parallaxis. John, C. & Schneider, T. (eds.). Hannover: Palm Press Publishing, p. 30-31 2 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
- Published
Hommage to the unknown viewers
Schneider, T., 12.2022, Christoph John - Parallaxis. John, C. & Schneider, T. (eds.). Hannover: Palm Press Publishing, p. 44-45 2 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
- Published
Mach mal: Oder Produktion ist anderswo
Hafner, H-J. & Schneider, T., 28.07.2022, Involvierte Autonomie. : Künstlerische Praxis zwischen Engagement und Eigenlogik. Eusterschulte, B. & Krüger, C. (eds.). Bielefeld: transcript Verlag, p. 127-150 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage
Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Visiting the Colección Poyón, or Indigeneity and the Nation-State in Guatemala: Performing the Nation for Two Hundred Years
Eduardo, S., 27.05.2022, Museums, Transculturality, and the Nation-State : Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 213-240 28 p. (Edition Museum; vol. 52).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Queering
John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Undisciplined: Peter Gorsen
Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review