DFG-Researchgroup "Cultures of Critique"
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
Topics
Kunstkritik, Medienkritik, Sozialkritik
- 2016
- Published
Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter GmbH, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Mit Wut ans Bild: Beate Söntgen über Joan Mitchell im Museum Ludwig, Köln
Söntgen, B. E., 03.2016, In: Texte zur Kunst. 26, 101, p. 171-174 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Ablehnungskultur: Die Figuren der Anderen
Bojadžijev, M., 2016, In: SPW. 217, p. 42-47 6 p.Research output: Journal contributions › Journal articles › Research
- Published
Das Problem der Unbestimmtheit des Rechts: Konsequenzen für die theoretische und die praktische Rechtskritik
Mattutat, L., 2016, In: Kritische Justiz. 49, 4, p. 496–508 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Demokratie und Postdemokratie: Die "Herrschaft des Volkes" bei Jacques Rancière
Klasen, L. & Mattutat, L., 2016, Postdemokratie und die Verleugnung des Politischen. Unterthurner, G. & Hetzel, A. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 41–56 16 p. ( Zeitgenössische Diskurse des Politischen; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die Steine von Venedig: Neu komponiert von Catharina Berents und Wolfgang Kemp
Berents-Kemp, C. (ed.) & Kemp, W. K. (ed.), 2016, Wiesbaden: Corso Verlag. 296 p. (Corso; vol. 52)Research output: Books and anthologies › Book
- Published
Die vertrackte Urteilsform: Ein Argument zur Frage der Rechtsgeltung mit und gegen Hans Kelsen, Gustav Radbruch und Carl Schmitt
Mattutat, L., 2016, 1. Aufl. ed. Marburg: Tectum Wissenschaftsverlag. 113 p. (Darmstädter Arbeiten zur Literaturwissenschaft und Philosophie; vol. 15)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Doing Commons: Gentrifizierung oder das Ringen um das Gemeinsame im städtischen Raum
Bojadžijev, M., 2016, In: Österreichische Zeitschrift für Volkskunde. 119, 3+4, p. 273-292 20 p.Research output: Journal contributions › Scientific review articles › Research
- Published
Ein Buch über Steine: Einführung
Berents-Kemp, C. & Kemp, W. K., 2016, Die Steine von Venedig : Neu komponiert von Catharina Berents und Wolfgang Kemp. Berents, C. & Kemp, W. (eds.). Wiesbaden: Corso Verlag, p. 9-14 6 p.Research output: Contributions to collected editions/works › Other › Transfer
- Published
Holding the Blanks in Place: Knowledge and Its Loss in the Works of Lizza May David
Lochner, O., 2016, Liza May David: The canvas and the monkey: Ausstellungskatalog mit Texts von Oona Lochner, Ma. Victoria T. Herrera, Anna-Lena Wenzel . Berlin: Kerber VerlagResearch output: Contributions to collected editions/works › Other › Transfer