DFG-Researchgroup "Cultures of Critique"
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
Main research areas
Kunstkritik, Medienkritik, Sozialkritik
- Published
Hommage an die unbekannten Betrachter*innen
Schneider, T., 12.2022, Christoph John - Parallaxis. John, C. & Schneider, T. (eds.). Hannover: Palm Press Publishing, p. 30-31 2 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
- Published
Hommage to the unknown viewers
Schneider, T., 12.2022, Christoph John - Parallaxis. John, C. & Schneider, T. (eds.). Hannover: Palm Press Publishing, p. 44-45 2 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
- Published
How to Do Materialistic Dialectics with Words? Adorno and the Resistance of Presentation
Stubenrauch, H., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 37 - 52 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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"Ich leide, also bin ich": Selbstverfügter Schmerz als äußerstes Mittel politischer Kunst
Söntgen, B. E., 2016, Ulay: Life-Sized. Ulrich, M. (ed.). Leipzig: Spector Books, p. 111-117 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Im Vorraum: Lebenswelten kritischer Theorie um 1969
Göttel, D. (Editor) & Wessely, C. (Editor), 2019, Berlin: Kulturverlag Kadmos . 200 p. (Kaleidogramme; vol. 181)Research output: Books and anthologies › Collected editions and anthologies › Research
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Im Zeichen des Zweifel(n)s. Madame Realism: oder: Die Funktion der Fiktion in der Kunstkritik
Mehl, I., 2022, München: edition metzel. 360 p.Research output: Books and anthologies › Monographs › Research
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Innen und Außen: Interieurvorhänge in der Malerei um 1900
Söntgen, B. E., 2016, Hinter dem Vorhang: Verhüllung und Enthüllung seit der Renaissance – von Tizian bis Christo. Blümle, C. & Wismer, B. (eds.). München: Hirmer, p. 226-236 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Interieur
Söntgen, B. E., 2017, Matisse - Bonnard: Es lebe die Malerei! . Krämer, F. & Museum, S. (eds.). München: Prestel Verlag, p. 81-87 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
In the Aftermath of Violence. On Being Present and Calling Into Presence
Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review