Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. 1995
  2. Published

    Mime, Mimesis und Technologie

    Leeker, M., 1995, München: Wilhelm Fink Verlag. 348 p.

    Research output: Books and anthologiesMonographsResearch

  3. Published
  4. Published

    Stil und Wert: Wertorientierungen in den Kunstwelten von Hamburg und Wien

    Tarnai, C. & Wuggenig, U., 1995, In: Angewandte Sozialforschung. 19, 1, p. 51-75 25 p.

    Research output: Journal contributionsJournal articlesResearch

  5. 1994
  6. Published

    Die Vergangenheit in der Gegenwart. Nationalismus, (Neo)Rassismus und Heterophobie im ästhetischen Feld.

    Wuggenig, U., 1994, In: Vor der Information. 19, 1, p. 58-87 30 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Explorations in Social Spaces: Gender, Age, Class Fractions and Photographical Choices of Objects

    Wuggenig, U. & Mnich, P., 1994, Correspondence Analysis in the Social Sciences : Recent Developments and Applications. Blasius, J. & Greenacre, M. (eds.). London / San Diego / New York: Academic Press Inc., p. 302-324 23 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Soziale Strukturierungen der photographischen Repräsentationen der häuslichen Objektwelt. Ergebnisse einer Photobefragung

    Wuggenig, U., 1994, Das symbolische Kapital der Lebensstile. Zur Kultursoziologie der Moderne nach Pierre Bourdieu. Mörth, I. & Fröhlich, G. (eds.). Frankfurt am Main: Campus Verlag, p. 207-228 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Was ist Kunst? Antworten aus soziologischer Perspektive

    Wuggenig, U., 1994, Was ist Kunst?. Fein, M. & Freis, M. (eds.). Lüneburg: Universität Lüneburg, p. 5-13 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. 1993
  11. Published

    Kinder in der Jugendhilfe

    Wuggenig, U., 1993, Handbuch der Kindheitsforschung. Markefka, M. & Nauck, B. (eds.). Neuwied / Berlin: Luchterhand Verlag, p. 525-535 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Öffentlichkeit und öffentliche Meinung: Die soziologische Perspektive

    Wuggenig, U., 1993, Konzepte von Öffentlichkeit: 3. Lüneburger Kolloquium zur Medienwissenschaft. Faulstich, W. (ed.). Bardowick: Wissenschaftler-Verlag, p. 16-29 14 p. (IfAM-Arbeitsberichte; vol. 11).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  13. Published

    Soziologie des Publikums / Sociology of the Audience

    Wuggenig, U. & Kockot, V., 1993, Das Bild der Ausstellung: The Image of the Exhibition. Brüderlin, M. (ed.). Wien: Hochschule für Angewandte Kunst Wien, p. 82-90 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch