Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.

The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:

  • Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
  • User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences? 
  • Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
  • Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
  • Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
  • Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
  • Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?

Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.

Topics

  • Transmedia
  • User and Audience Research 
  • Gamification
  • Common Media
  • Net based Public Broadcast
  • Hybrid Publishing
  • Computer Simulation
  • Artistic Research
  • New Teaching Formats
  1. Published

    Das Amerikabild der Deutschen: Außenansichten I

    Wuggenig, U., 1989, Aspekte amerikanischer Kultur. Beneke, J., Jarman, F. & Whybra, D. (eds.). Hildesheim: Georg Olms Verlag AG, p. 17-44 28 p. ( Hildesheimer Beiträge zu den Erziehungs- und Sozialwissenschaften. Studien, Texte, Entwürfe; vol. 31).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Das Datenhandeln: Zur Wissensordnung und Praxeologie des Online-Handels

    Kaldrack, I. & Köhler, C., 09.2014, In: Mediale Kontrolle unter Beobachtung. 3.1, 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Das Diktat der Fruchtbarkeit

    Bernard, A., 2016, Fortpflanzungsmedizin in Deutschland: Entwicklungen, Fragen, Kontroversen. Woopen, C. (ed.). Bonn: Bundeszentrale für politische Bildung, p. 11-19 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Das Diktat des Hashtags: Über ein Prinzip der aktuellen Debattenbildung

    Bernard, A., 24.10.2018, Frankfurt am Main: Fischer Taschenbuch-Verlag. 96 p.

    Research output: Books and anthologiesMonographsResearch

  5. Published
  6. Published

    Das Ende der alten Zeitungsindustrie

    Novy, L. & Wäscher, T., 2013, In: Berliner Republik : das Debattenmagazin. 14, 5, 10 p.

    Research output: Journal contributionsJournal articlesTransfer

  7. Published

    Das Fleisch der Diskurse: Zur Verbindung von Biographie- und Diskursforschung in der wissenssoziologischen Subjektivierungsanalyse am Beispiel der Behindertenpädagogik

    Pfahl, L., Schürmann, L. & Traue, B. C., 2015, Erziehungswissenschaftliche Diskursforschung: Empirische Analysen zu Bildungs- und Erziehungsverhältnissen. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 89-106 18 p. (Interdisziplinäre Diskursforschung).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris

    Munder, H. (ed.) & Wuggenig, U. (ed.), 11.2012, Zürich: JRP Ringier Verlag. 460 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Das neue Fernsehen und die Historizität des Dispositivs

    Wentz, D., 2010, Die Medien und das Neue: 21. Film- und Fernsehwissenschaftliches Kolloquium. Wentz, D. & Wendler, A. (eds.). Marburg: Schüren Verlag, p. 151-164 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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