Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Das Unvermeidliche vermeiden: Jayne Loaders, Kevin und Pierce Raffertys The Atomic Café (1982)
Simons, S., 2013, Das Undenkbare filmen: Atomkrieg im Kino. Nanz, T. & Pause, J. (eds.). Bielefeld: transcript Verlag, p. 25-52 28 p. (Film).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Wissen des Profils
Bernard, A., 30.03.2016, In: Arch + : Zeitschrift für Archithektur und Städtebau. 222, p. 120-121 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Das Wissen des Profils: Über das Selbstdesign in der digitalen Kultur
Bernard, A., 2017, Profile: Interdisziplinäre Beiträge. Degeling, M., Othmer, J., Weich, A. & Westermann, B. (eds.). Lüneburg: meson press, p. 27-36 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Wissen des Profils: Zur kriminalistischen und psychiatrischen Herkunft digitaler Selbstbeschreibung
Bernard, A., 11.2018, Das dokumentierte Ich: Wissen in Verhandlung. Hämmerling, C. & Zetti, D. (eds.). Zürich: Chronos, p. 113-126 14 p. (Interferenzen. Studien zur Kulturgeschichte der Technik; vol. 26).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Databases as citadels in the web 2.0
Warnke, M., 2013, Unlike Us Reader: Social Media Monopolies and the Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, p. 76-89 13 p. (INC Reader; no. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Data traffic in theater and engineering: Between technical conditions and illusions
Leeker, M. & Steppat, M., 25.09.2015, Traffic: Media as Infrastructures and Cultural Practices. Näser-Lather, M. & Neubert, C. (eds.). Leiden: Brill, p. 160-179 20 p. (Literature and Cultural Studies E-Books Online, Collection ; vol. 88).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Datenbanken als Zitadellen des Web 2.0
Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Daten tanzen: Zum Projekt Choreography and Cognition von Wayne McGregor
Leeker, M., 2009, In: Ästhetik & Kommunikation. 40, 146, p. 31-38 8 p.Research output: Journal contributions › Journal articles › Research
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Daten, Wahn, Sinn
Apprich, C., 05.10.2017, In: Zeitschrift für Medienwissenschaft. 9, 17-2, p. 54-62 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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De-Anonymizing Anonymous: Review of: Gabriella Coleman, Hacker, Hoaxer, Whistleblower, Spy. The Many Faces of Anonymous, London/New York, Verso, 2014.
Heinrichs, R., 08.2016, In: spheres - Journal for Digital Cultures. 2, Ecologies of Change, 5 p.Research output: Journal contributions › Critical reviews › Research