Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Wahrnehmungsmaschinen: Über das Werk von Seiko Mikami
Broeckmann, A., 2012, The Big Picture: Weltbilder für die Zukunft ; Ars Electronica 2012, Festival für Kunst, Technologie und Gesellschaft, 30. August - 3. September 2012. Leopoldseder, H. (ed.). Ostfildern: Hatje Cantz Verlag, p. 63-63 1 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Was bleibt? Einige Überlegungen zum Medienereignis WikiLeaks
Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 1, p. 44-47Research output: Journal contributions › Journal articles › Transfer
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Was ist Kunst? Antworten aus soziologischer Perspektive
Wuggenig, U., 1994, Was ist Kunst?. Fein, M. & Freis, M. (eds.). Lüneburg: Universität Lüneburg, p. 5-13 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Was soll Universität heute? Eine Sammelrezension zweier Neuerscheinungen zu den jüngsten Universitätsbesetzungen
Apprich, C., 2010, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 3, p. 48-49Research output: Journal contributions › Critical reviews › Research
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We build this city on rocks and (feminist) code: hacking corporate computational designs of cities to come
Voigt, M.-L., 24.07.2023, In: Digital Creativity. 34, 2, p. 162-177 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Weibliche Medien um 1900: Über okkulte Herkünfte der Medienwissenschaft
Leeker, M., 2008, Gendermedia: Zum Denken einer neuen Disziplin. Wagner, H. (ed.). Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar, p. 117 - 140 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Welche Öffentlichkeiten? Einleitung
Beyes, T., 2014, Soziale Medien – neue Massen: Medienwissenschaftliches Symposion der DFG. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 231-235 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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„Wer Bücher hört, kann auch Klänge sehen“: Bemerkungen zur Synästhesie des Hörbuchs.
Hagen, W., 2014, Das Hörbuch: Audioliteralität und akustische Literatur. Binczek, N. & Epping-Jäger, C. (eds.). 1 ed. Wilhelm Fink Verlag, p. 179-192 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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WhatsApp und das prozessuale Interface: Zur Neugestaltung von Smartphone-Kollektiven.
Denecke, M. & Otto, I., 2013, In: Sprache und Literatur. 44, 1, p. 14-29 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Where do the data live? Anonymity and Neighborhood Networks
Heinrichs, R., 03.04.2021, Book of Anonymity. Collective, A. (ed.). punctum books, p. 226-254 29 p.Research output: Contributions to collected editions/works › Chapter › peer-review