Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Organizing the entrepreneurial city
Beyes, T., 2012, Handbook on Organisational Entrepreneurship. Hjorth, D. (ed.). Cheltenham: Edward Elgar Publishing, p. 320-337 18 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Ornament der Mass Customization: Zum Kollektivbewusstsein verstreuter Examinatoren
Simons, S., 2014, Soziale Medien - Neue Massen. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 237-259 23 p. (Medienwissenschaftliche Symposien der DFG).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Other Beginnings of Participative Sense Culture: Wild Media, Speculative Ecologies, Transgressions of the Cybernetic Hypothesis
Hörl, E. H., 2016, ReClaiming Participation: technology - mediation - collectivity. Denecke, M., Gatzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 93-122 28 p. (Media studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Otto Mueller, Brücke-Museum Berlin, (2014) Hirmer Verlag, München, Christiane Remm (Hg.)
Severin, I. L., 28.03.2017Research output: other publications › Articles in scientific forums or blogs › Research
- Published
Overhead Projector
Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 286-300 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Paradoxe Kritik
Wuggenig, U., 2008, In: transversal / EIPCP multilingual webjournal. 8, 6 p.Research output: Journal contributions › Journal articles › Research
- Published
Paranoia
Apprich, C., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 78-86 9 p. (Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Pattern Discrimination
Apprich, C., Kyong Chun, W. H., Cramer, F. & Steyerl, H., 2019, Lüneburg: meson press. 124 p. (In Search of Media Book Series)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Paul Graupe (1881–1953). Ein Berliner Kunsthändler zwischen Republik, Nationalsozialismus und Exil, (2016) Patrick Golenia/ Kristina Kratz-Kessemeier/ Isabelle le Masne de Chermont (Hg.) Vorwort, Bénédicte Savoy, Böhlau Verlag
Severin, I. L., 13.03.2019, onlineResearch output: other publications › Articles in scientific forums or blogs › Research
- Published
Performativierung des Raums: Wissens- und technikgeschichtliche Aspekte zeitgenössischer Bühnenräume
Leeker, M., 2014, Bühne: Raumbildender Prozesse im Theater. Eke, N., Haß, U. & Kaldrack, I. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 149-170 22 p. (Automatismen).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research