Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
"Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik
Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kultursoziologie in Großbritannien
Traue, B. C., 2016, Handbuch der Kultursoziologie: Band 1: Begriffe – Kontexte – Perspektiven – Autor_innen. Moebius, S., Nungesser, F. & Scherke, K. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 1. p. 123-139 16 p. ( Springer Reference Sozialwissenschaften).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Kunstfeldforschung
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunsthochschulen, Universitäten und der Bologna-Prozess
Wuggenig, U., 08.04.2008, Hamburg : Verein zur Förderung von Kunst und Kritik e.V. .Research output: other publications › Articles in scientific forums or blogs › Research
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Kunst im öffentlichen Raum und ästhetischer Kommunitarismus
Wuggenig, U., 1997, Kunst auf Schritt und Tritt: Public Art is Everywhere. Müller, C. P. & Könneke, A. (eds.). Hamburg: Kellner, p. 76-93 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunstkammer, Ostasiatische Weltkunst, Expressionistische Avantgarde neben Rokoko und Bauhaus-Moderne. Die Bildwelten des Leopold Reidemeister, visionärer Erbe Wilhelm von Bodes zwischen Kaiserreich und Avantgarde
Severin, I. L., 08.2017, Leopold Reidemeister: Ein deutscher Museumsmann. Moeller, M. M. (ed.). München: Hirmer, p. 14-67 43 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunstraum der Universität Lüneburg
von Bismarck , B., Stoller, D. & Wuggenig, U., 1997, TESTOO MUSTER Messe: erscheint zur Ausstellung "Fabrice Hybert Testoo Muster" der Galerie für Zeitgenössische Kunst Leipzig .... Stoller, D., Werner, K. & Winkelmann, J. (eds.). Leipzig: Messe-Verlag, p. 154-155 2 p. (Oumeurt; vol. 3).Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Kunst und Globalisierung
Buchholz, L. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 163-188 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunstzentren und Kunstmarktzentren: Paris, Wien, Zürich und Hamburg
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 63-85 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kuratieren
Beyes, T., 2018, Der Kreativitätskomplex: Ein Vademecum der Gegenwartsgesellschaft. Beyes, T. & Metelmann, J. (eds.). Bielefeld: transcript Verlag, p. 173-178 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research