Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- 2012
- Published
Antworten auf sieben Fragen
Wuggenig, U., 2012, Kunst im öffentlichen Raum Steiermark: Projekte 2010: Art in Public Space Styria: Projects 2010. Fenz, W., Kraus, E. & Kulterer, B. (eds.). Heidelberg, New York: Springer, p. 279-280 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Apocalypse postponed: Discourses on video games from noxious objects to redemptive devices
Carbone, M. B. & Ruffino, P., 2012, In: GAME : the Italian journal of game studies. 1, 1, 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Betriebssysteme der Wissenschaft
Warnke, M., 2012, In: Zeitschrift für Medienwissenschaft. 7, 2, p. 152-156 4 p.Research output: Journal contributions › Journal articles › Research
- Published
Bilder/Räume denken. Zum diagrammatischen Bild
Wentz, D., 2012, Raum Wissen Medien. : Zur raumtheoretischen Reformulierung des Medienbegriffs. Müller, D. & Scholz, S. (eds.). Bielefeld: transcript Verlag, p. 253-270 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Biopolitical Interventions in the Urban Data Space
Apprich, C., 2012, Activist media and biopolitics: critical media interventions in the age of biopower. Sützl, W. & Hug, T. (eds.). Innsbruck: innsbruck university press, p. 39-46 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Blitzlicht
Müller-Helle, K. (Editor) & Sprenger, F. (Editor), 2012, Zürich: Diaphanes Verlag. 142 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Das akademische Prekariat: Leben zwischen Frist und Plan
Sander, N., 2012, 1 ed. Konstanz: UVK Verlagsgesellschaft mbH. 426 p. (Analyse und Forschung : Sozialwissenschaften)Research output: Books and anthologies › Monographs › Research
- Published
Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Datenbanken als Zitadellen des Web 2.0
Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien
Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research