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The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

Standard

The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005. / Aqababaee, Ehsan; Rieck, Katja.
in: Contemporary Review of the Middle East, Jahrgang 10, Nr. 2, 06.2023, S. 106-125.

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

Harvard

Aqababaee, E & Rieck, K 2023, 'The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005', Contemporary Review of the Middle East, Jg. 10, Nr. 2, S. 106-125. https://doi.org/10.1177/23477989231162255

APA

Aqababaee, E., & Rieck, K. (2023). The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005. Contemporary Review of the Middle East, 10(2), 106-125. https://doi.org/10.1177/23477989231162255

Vancouver

Aqababaee E, Rieck K. The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005. Contemporary Review of the Middle East. 2023 Jun;10(2):106-125. doi: 10.1177/23477989231162255

Bibtex

@article{4efb972802d6465a84990b2566c810f3,
title = "The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005",
abstract = "This article discusses how social class was depicted in Iranian cinema during the Reformist Era between 2001 and 2005 when the government of Mohammad Khatami advocated economic reforms and cultural liberalization. The agenda of the Khatami government was supported by the middle and upper classes who had modernist cultural attitudes and benefitted from these political and economic reforms. The articles also analyzes how reformist ideology operated through films by presenting a positive image of the modernist middle and upper classes while challenging the values of the traditional classes and portraying the lower class as victims of social problems. The findings indicate that the reformists, contrary to their slogans, sought to normalize the values of their supporter classes in Iranian cinema.",
keywords = "Ideology, Iranian cinema, narrative analysis, social classes, Cultural studies, Media and communication studies",
author = "Ehsan Aqababaee and Katja Rieck",
note = "Publisher Copyright: {\textcopyright} The Author(s) 2023.",
year = "2023",
month = jun,
doi = "10.1177/23477989231162255",
language = "English",
volume = "10",
pages = "106--125",
journal = "Contemporary Review of the Middle East",
issn = "2347-7989",
publisher = "SAGE Publications Inc.",
number = "2",

}

RIS

TY - JOUR

T1 - The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

AU - Aqababaee, Ehsan

AU - Rieck, Katja

N1 - Publisher Copyright: © The Author(s) 2023.

PY - 2023/6

Y1 - 2023/6

N2 - This article discusses how social class was depicted in Iranian cinema during the Reformist Era between 2001 and 2005 when the government of Mohammad Khatami advocated economic reforms and cultural liberalization. The agenda of the Khatami government was supported by the middle and upper classes who had modernist cultural attitudes and benefitted from these political and economic reforms. The articles also analyzes how reformist ideology operated through films by presenting a positive image of the modernist middle and upper classes while challenging the values of the traditional classes and portraying the lower class as victims of social problems. The findings indicate that the reformists, contrary to their slogans, sought to normalize the values of their supporter classes in Iranian cinema.

AB - This article discusses how social class was depicted in Iranian cinema during the Reformist Era between 2001 and 2005 when the government of Mohammad Khatami advocated economic reforms and cultural liberalization. The agenda of the Khatami government was supported by the middle and upper classes who had modernist cultural attitudes and benefitted from these political and economic reforms. The articles also analyzes how reformist ideology operated through films by presenting a positive image of the modernist middle and upper classes while challenging the values of the traditional classes and portraying the lower class as victims of social problems. The findings indicate that the reformists, contrary to their slogans, sought to normalize the values of their supporter classes in Iranian cinema.

KW - Ideology

KW - Iranian cinema

KW - narrative analysis

KW - social classes

KW - Cultural studies

KW - Media and communication studies

UR - http://www.scopus.com/inward/record.url?scp=85163047681&partnerID=8YFLogxK

U2 - 10.1177/23477989231162255

DO - 10.1177/23477989231162255

M3 - Journal articles

VL - 10

SP - 106

EP - 125

JO - Contemporary Review of the Middle East

JF - Contemporary Review of the Middle East

SN - 2347-7989

IS - 2

ER -

DOI

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