The politics of method: Taming the new, making data official

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

Authors

Statisticians are under pressure to innovate, partly due to shrinking budgets and the call to do more with less, but also due to technological advances and the emergence of new actors promising to produce more accurate and timely statistics with what has come to be known as "big data." This raises the question, how do new forms of data and methods become legitimate and official' We approach this question by conceiving of official statistics as part of a transnational field in which different factions of actors compete and struggle over the authority to innovate the data and methods that are legitimated to produce official statistics. We consider these struggles as a politics of method that is not reducible to a competition between ideas and words. They are also material insofar as they feature competing digital devices mobilized to demonstrate the validity of new data and methods. Through two empirical examples, we identify the strategy of reassembling methods to capture how statisticians tame and contain innovations based on big data, especially those introduced by data scientists, by integrating and simultaneously subordinating them to existing methods. By doing so, we suggest that reassembling is an innovation strategy that secures the relative position of national and international statisticians within the transnational field of statistics.

OriginalspracheEnglisch
ZeitschriftInternational Political Sociology
Jahrgang13
Ausgabenummer3
Seiten (von - bis)233-252
Anzahl der Seiten20
ISSN1749-5679
DOIs
PublikationsstatusErschienen - 01.09.2019
Extern publiziertJa

Bibliographische Notiz

Funding Information:
The research leading to this publication received funding from the European Research Council under the European Union’s Seventh Framework Programme (FP/2007–2013)/ERC Grant Agreement no. 615588. Principal Investigator, Evelyn Ruppert, Goldsmiths, University of London.

Publisher Copyright:
© The Author(s) (2019).

DOI