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The mimicry of dialogue: Thomas Lehr’s september. Fata Morgana (2010)

Publikation: Beiträge in Sammelwerken › Aufsätze in Sammelwerken › Forschung

Standard

The mimicry of dialogue: Thomas Lehr’s september. Fata Morgana (2010). / Frank, Svenja.
9/11 in European Literature: Negotiating Identities against the Attacks and What Followed. Hrsg. / Svenja Frank. Cham: Springer International Publishing AG, 2017. S. 253-282.

Publikation: Beiträge in Sammelwerken › Aufsätze in Sammelwerken › Forschung

Harvard

Frank, S 2017, The mimicry of dialogue: Thomas Lehr’s september. Fata Morgana (2010). in S Frank (Hrsg.), 9/11 in European Literature: Negotiating Identities against the Attacks and What Followed. Springer International Publishing AG, Cham, S. 253-282. https://doi.org/10.1007/978-3-319-64209-3_10

APA

Frank, S. (2017). The mimicry of dialogue: Thomas Lehr’s september. Fata Morgana (2010). In S. Frank (Hrsg.), 9/11 in European Literature: Negotiating Identities against the Attacks and What Followed (S. 253-282). Springer International Publishing AG. https://doi.org/10.1007/978-3-319-64209-3_10

Vancouver

Frank S. The mimicry of dialogue: Thomas Lehr’s september. Fata Morgana (2010). in Frank S, Hrsg., 9/11 in European Literature: Negotiating Identities against the Attacks and What Followed. Cham: Springer International Publishing AG. 2017. S. 253-282 doi: 10.1007/978-3-319-64209-3_10

Bibtex

@inbook{9a3c5857f3d2400580aa13f56cb045ed,
title = "The mimicry of dialogue: Thomas Lehr{\textquoteright}s september. Fata Morgana (2010)",
abstract = "This new reading of the German 9/11 novel September. Fata Morgana (2010) by Thomas Lehr challenges its prevalent interpretation as an East-West dialogue of cultures. Unveiling the narrative{\textquoteright}s hitherto neglected unreliability, the chapter argues that rather it displays a mimicry of dialogue which confronts the reader with their own Eurocentricism. Through the analysis of narrative, motivic and intertextual elements, the chapter demonstrates that the cultural approximation is not the result of dialogue but of a European appropriation of the Eastern Other. Giving a special emphasis to German 9/11 cultural responses, it then contextualises Lehr{\textquoteright}s manifold conjunction of the September attacks and the theme of mimicry in the wider 9/11 discourse before consolidating the argument with a view of the novel{\textquoteright}s historical pessimism.",
keywords = "Literature studies",
author = "Svenja Frank",
year = "2017",
month = jan,
day = "1",
doi = "10.1007/978-3-319-64209-3_10",
language = "English",
isbn = "9783319642086",
pages = "253--282",
editor = "Svenja Frank",
booktitle = "9/11 in European Literature",
publisher = "Springer International Publishing AG",
address = "Switzerland",

}

RIS

TY - CHAP

T1 - The mimicry of dialogue

T2 - Thomas Lehr’s september. Fata Morgana (2010)

AU - Frank, Svenja

PY - 2017/1/1

Y1 - 2017/1/1

N2 - This new reading of the German 9/11 novel September. Fata Morgana (2010) by Thomas Lehr challenges its prevalent interpretation as an East-West dialogue of cultures. Unveiling the narrative’s hitherto neglected unreliability, the chapter argues that rather it displays a mimicry of dialogue which confronts the reader with their own Eurocentricism. Through the analysis of narrative, motivic and intertextual elements, the chapter demonstrates that the cultural approximation is not the result of dialogue but of a European appropriation of the Eastern Other. Giving a special emphasis to German 9/11 cultural responses, it then contextualises Lehr’s manifold conjunction of the September attacks and the theme of mimicry in the wider 9/11 discourse before consolidating the argument with a view of the novel’s historical pessimism.

AB - This new reading of the German 9/11 novel September. Fata Morgana (2010) by Thomas Lehr challenges its prevalent interpretation as an East-West dialogue of cultures. Unveiling the narrative’s hitherto neglected unreliability, the chapter argues that rather it displays a mimicry of dialogue which confronts the reader with their own Eurocentricism. Through the analysis of narrative, motivic and intertextual elements, the chapter demonstrates that the cultural approximation is not the result of dialogue but of a European appropriation of the Eastern Other. Giving a special emphasis to German 9/11 cultural responses, it then contextualises Lehr’s manifold conjunction of the September attacks and the theme of mimicry in the wider 9/11 discourse before consolidating the argument with a view of the novel’s historical pessimism.

KW - Literature studies

UR - http://www.scopus.com/inward/record.url?scp=85042775148&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/21ccb18a-f4ee-3103-b74e-76fdd7414b42/

U2 - 10.1007/978-3-319-64209-3_10

DO - 10.1007/978-3-319-64209-3_10

M3 - Contributions to collected editions/anthologies

AN - SCOPUS:85042775148

SN - 9783319642086

SP - 253

EP - 282

BT - 9/11 in European Literature

A2 - Frank, Svenja

PB - Springer International Publishing AG

CY - Cham

ER -

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Publikation: Beiträge in Sammelwerken › Kapitel › begutachtet

DOI