Meta-Image – a collaborative environment for the image discourse

Publikation: Beiträge in SammelwerkenAufsätze in KonferenzbändenForschungbegutachtet

Standard

Meta-Image – a collaborative environment for the image discourse. / Warnke, Martin; Dieckmann, Lisa; Kliemann, Anita.
EVA LONDON 2010: Electronic Visualisation and the Arts. Hrsg. / Alan Seal; Jonathan Bowen; Kia Ng. BCS - The Chartered Institute for IT, 2010. S. 190 - 198.

Publikation: Beiträge in SammelwerkenAufsätze in KonferenzbändenForschungbegutachtet

Harvard

Warnke, M, Dieckmann, L & Kliemann, A 2010, Meta-Image – a collaborative environment for the image discourse. in A Seal, J Bowen & K Ng (Hrsg.), EVA LONDON 2010: Electronic Visualisation and the Arts. BCS - The Chartered Institute for IT, S. 190 - 198, Electronic Visualisation and the Arts - EVA 2010, London, Großbritannien / Vereinigtes Königreich, 05.07.10.

APA

Warnke, M., Dieckmann, L., & Kliemann, A. (2010). Meta-Image – a collaborative environment for the image discourse. In A. Seal, J. Bowen, & K. Ng (Hrsg.), EVA LONDON 2010: Electronic Visualisation and the Arts (S. 190 - 198). BCS - The Chartered Institute for IT.

Vancouver

Warnke M, Dieckmann L, Kliemann A. Meta-Image – a collaborative environment for the image discourse. in Seal A, Bowen J, Ng K, Hrsg., EVA LONDON 2010: Electronic Visualisation and the Arts. BCS - The Chartered Institute for IT. 2010. S. 190 - 198

Bibtex

@inbook{e69ee5ace8934a8fbcf5b1ff440f8c54,
title = "Meta-Image – a collaborative environment for the image discourse",
abstract = "The aim of the project Meta-Image, funded by German Research Foundation (DFG), is to provide a network-based research environment for art history and other sciences concerning visual culture. It consists of the two components prometheus and HyperImage. Meta-Image combines the distributed digital image archive prometheus, which consists of a very large pool of images, with HyperImage (http://www.hyperimage.eu), a tool for image annotation. prometheus provides over 700,000 images in nearly 60 connected image databases; Hyperimage facilitates collaborative work directly on the image. The numerous users, the secure legal context for use and the existing technologies for collaborative research make prometheus a perfect subject for HyperImage. This image annotation tool serves as an instrument to support research in art history. It allows the identification of motifs, the creation of linked image networks as well as the addition of metadata. This synthesis creates the ability to reorganise, juxtapose and annotate images in a way that can lead to new conclusions concerning image-based research. Art history and other cultural studies can finally realise the potential of the network based and collaborative analysis of images.",
keywords = "Cultural Informatics, Cultural studies",
author = "Martin Warnke and Lisa Dieckmann and Anita Kliemann",
year = "2010",
language = "English",
isbn = "978-1-906124-65-6",
pages = "190 -- 198",
editor = "Alan Seal and Jonathan Bowen and Kia Ng",
booktitle = "EVA LONDON 2010",
publisher = "BCS - The Chartered Institute for IT",
note = "Electronic Visualisation and the Arts - EVA 2010, EVA 2010 ; Conference date: 05-07-2010 Through 07-07-2010",
url = "http://www.wikicfp.com/cfp/servlet/event.showcfp?eventid=6925&copyownerid=7081",

}

RIS

TY - CHAP

T1 - Meta-Image – a collaborative environment for the image discourse

AU - Warnke, Martin

AU - Dieckmann, Lisa

AU - Kliemann, Anita

PY - 2010

Y1 - 2010

N2 - The aim of the project Meta-Image, funded by German Research Foundation (DFG), is to provide a network-based research environment for art history and other sciences concerning visual culture. It consists of the two components prometheus and HyperImage. Meta-Image combines the distributed digital image archive prometheus, which consists of a very large pool of images, with HyperImage (http://www.hyperimage.eu), a tool for image annotation. prometheus provides over 700,000 images in nearly 60 connected image databases; Hyperimage facilitates collaborative work directly on the image. The numerous users, the secure legal context for use and the existing technologies for collaborative research make prometheus a perfect subject for HyperImage. This image annotation tool serves as an instrument to support research in art history. It allows the identification of motifs, the creation of linked image networks as well as the addition of metadata. This synthesis creates the ability to reorganise, juxtapose and annotate images in a way that can lead to new conclusions concerning image-based research. Art history and other cultural studies can finally realise the potential of the network based and collaborative analysis of images.

AB - The aim of the project Meta-Image, funded by German Research Foundation (DFG), is to provide a network-based research environment for art history and other sciences concerning visual culture. It consists of the two components prometheus and HyperImage. Meta-Image combines the distributed digital image archive prometheus, which consists of a very large pool of images, with HyperImage (http://www.hyperimage.eu), a tool for image annotation. prometheus provides over 700,000 images in nearly 60 connected image databases; Hyperimage facilitates collaborative work directly on the image. The numerous users, the secure legal context for use and the existing technologies for collaborative research make prometheus a perfect subject for HyperImage. This image annotation tool serves as an instrument to support research in art history. It allows the identification of motifs, the creation of linked image networks as well as the addition of metadata. This synthesis creates the ability to reorganise, juxtapose and annotate images in a way that can lead to new conclusions concerning image-based research. Art history and other cultural studies can finally realise the potential of the network based and collaborative analysis of images.

KW - Cultural Informatics

KW - Cultural studies

M3 - Article in conference proceedings

SN - 978-1-906124-65-6

SP - 190

EP - 198

BT - EVA LONDON 2010

A2 - Seal, Alan

A2 - Bowen, Jonathan

A2 - Ng, Kia

PB - BCS - The Chartered Institute for IT

T2 - Electronic Visualisation and the Arts - EVA 2010

Y2 - 5 July 2010 through 7 July 2010

ER -

Dokumente