Media Art in Argentina: Ideology and Critique "Después Del Pop"
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
Standard
in: ARTMargins, Jahrgang 1, Nr. 2-3, 01.06.2012, S. 152-175.
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
Harvard
APA
Vancouver
Bibtex
}
RIS
TY - JOUR
T1 - Media Art in Argentina
T2 - Ideology and Critique "Después Del Pop"
AU - Benezra, Karen
PY - 2012/6/1
Y1 - 2012/6/1
N2 - This article examines the rise and reception of conceptual art in Argentina. Against dominant readings of the 1960s' and 70s' visual avant-gardes in Latin America, I reconsider the stakes of art's so-called “dematerialization” and its unique claim on ideology critique in the work of the Grupo Arte de los Medios [Media Art Group], a collective of young artists led by the philosopher and literary critic Oscar Masotta. Arguing for a re-historicization of the 1960s avant-garde as one that emerges as a self-reflexive reaction to the novel articulation of late capitalism in Argentina, I trace a critical continuity between the Grupo Arte de los Medios and the avant-gardist claims on the fusion of art and militant politics among its immediate successors. I suggest that the Argentinean avant-garde defined its radical political stance through a reflection on the immanent relation of structural cause to symbolic form, probing and pointing to the limits of the operation of estrangement.
AB - This article examines the rise and reception of conceptual art in Argentina. Against dominant readings of the 1960s' and 70s' visual avant-gardes in Latin America, I reconsider the stakes of art's so-called “dematerialization” and its unique claim on ideology critique in the work of the Grupo Arte de los Medios [Media Art Group], a collective of young artists led by the philosopher and literary critic Oscar Masotta. Arguing for a re-historicization of the 1960s avant-garde as one that emerges as a self-reflexive reaction to the novel articulation of late capitalism in Argentina, I trace a critical continuity between the Grupo Arte de los Medios and the avant-gardist claims on the fusion of art and militant politics among its immediate successors. I suggest that the Argentinean avant-garde defined its radical political stance through a reflection on the immanent relation of structural cause to symbolic form, probing and pointing to the limits of the operation of estrangement.
KW - 20 century Argentinean art
KW - Avant-garde
KW - Grupo Arte de los Medios
KW - Instituto Torcuato Di Tella
KW - Materialist aesthetics
KW - Oscar Bony
KW - Oscar Masotta
KW - Science of art
UR - http://www.scopus.com/inward/record.url?scp=84953866069&partnerID=8YFLogxK
U2 - 10.1162/ARTM_a_00023
DO - 10.1162/ARTM_a_00023
M3 - Journal articles
AN - SCOPUS:84953866069
VL - 1
SP - 152
EP - 175
JO - ARTMargins
JF - ARTMargins
SN - 2162-2574
IS - 2-3
ER -