La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung
Standard
La scomparsa delle impressioni : Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce. / Caniglia, Guido.
in: Annali del Dipartimento di Filosofia, Jahrgang 13, 2007, S. 211-236.Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung
Harvard
APA
Vancouver
Bibtex
}
RIS
TY - JOUR
T1 - La scomparsa delle impressioni
T2 - Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce
AU - Caniglia, Guido
PY - 2007
Y1 - 2007
N2 - The main theme of this paper will be the elimination of the sensible features of our experience from the philosophical account of what it means to know something. The textual source on which we will focus our attention is Benedetto Croce’s Estetica come scienza dell’espressione e linguistica generale. Besides an epistemological dimension (impressions, sensible content, sensation), what issensible in our experience has also an ontological connotation (matter, content, facts). According to Croce, neither of them can be the basis of our knowledge. What we mean when we say to know something is neither that we have impressions nor that we possess sensations, but rather that we have a representation of that thing. In this way, the sensible features of our experience are ruled out from its philosophical account and are replaced through spiritual activities pertaining to the practical realm of the Spirit.
AB - The main theme of this paper will be the elimination of the sensible features of our experience from the philosophical account of what it means to know something. The textual source on which we will focus our attention is Benedetto Croce’s Estetica come scienza dell’espressione e linguistica generale. Besides an epistemological dimension (impressions, sensible content, sensation), what issensible in our experience has also an ontological connotation (matter, content, facts). According to Croce, neither of them can be the basis of our knowledge. What we mean when we say to know something is neither that we have impressions nor that we possess sensations, but rather that we have a representation of that thing. In this way, the sensible features of our experience are ruled out from its philosophical account and are replaced through spiritual activities pertaining to the practical realm of the Spirit.
KW - Sustainability Science
KW - impression
KW - expression
KW - form
KW - matter
KW - representation
UR - http://digital.casalini.it/10.1400/181725
U2 - 10.1400/181725
DO - 10.1400/181725
M3 - Zeitschriftenaufsätze
VL - 13
SP - 211
EP - 236
JO - Annali del Dipartimento di Filosofia
JF - Annali del Dipartimento di Filosofia
SN - 0394-5073
ER -