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La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung

Standard

La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce. / Caniglia, Guido.
in: Annali del Dipartimento di Filosofia, Jahrgang 13, 2007, S. 211-236.

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung

Harvard

Caniglia, G 2007, 'La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce', Annali del Dipartimento di Filosofia, Jg. 13, S. 211-236. https://doi.org/10.1400/181725

APA

Caniglia, G. (2007). La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce. Annali del Dipartimento di Filosofia, 13, 211-236. https://doi.org/10.1400/181725

Vancouver

Caniglia G. La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce. Annali del Dipartimento di Filosofia. 2007;13:211-236. doi: 10.1400/181725

Bibtex

@article{725a0b6e79334b7a9601c1b2b1c283be,
title = "La scomparsa delle impressioni: Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell{\textquoteright}Estetica di Benedetto Croce",
abstract = "The main theme of this paper will be the elimination of the sensible features of our experience from the philosophical account of what it means to know something. The textual source on which we will focus our attention is Benedetto Croce{\textquoteright}s Estetica come scienza dell{\textquoteright}espressione e linguistica generale. Besides an epistemological dimension (impressions, sensible content, sensation), what issensible in our experience has also an ontological connotation (matter, content, facts). According to Croce, neither of them can be the basis of our knowledge. What we mean when we say to know something is neither that we have impressions nor that we possess sensations, but rather that we have a representation of that thing. In this way, the sensible features of our experience are ruled out from its philosophical account and are replaced through spiritual activities pertaining to the practical realm of the Spirit. ",
keywords = "Sustainability Science, impression, expression, form, matter, representation",
author = "Guido Caniglia",
year = "2007",
doi = "10.1400/181725",
language = "Italian",
volume = "13",
pages = "211--236",
journal = "Annali del Dipartimento di Filosofia",
issn = "0394-5073",
publisher = "Firenze University Press",

}

RIS

TY - JOUR

T1 - La scomparsa delle impressioni

T2 - Osservazioni gnoseologiche sulle nozioni di espressione, impressione, materia e forma nell’Estetica di Benedetto Croce

AU - Caniglia, Guido

PY - 2007

Y1 - 2007

N2 - The main theme of this paper will be the elimination of the sensible features of our experience from the philosophical account of what it means to know something. The textual source on which we will focus our attention is Benedetto Croce’s Estetica come scienza dell’espressione e linguistica generale. Besides an epistemological dimension (impressions, sensible content, sensation), what issensible in our experience has also an ontological connotation (matter, content, facts). According to Croce, neither of them can be the basis of our knowledge. What we mean when we say to know something is neither that we have impressions nor that we possess sensations, but rather that we have a representation of that thing. In this way, the sensible features of our experience are ruled out from its philosophical account and are replaced through spiritual activities pertaining to the practical realm of the Spirit.

AB - The main theme of this paper will be the elimination of the sensible features of our experience from the philosophical account of what it means to know something. The textual source on which we will focus our attention is Benedetto Croce’s Estetica come scienza dell’espressione e linguistica generale. Besides an epistemological dimension (impressions, sensible content, sensation), what issensible in our experience has also an ontological connotation (matter, content, facts). According to Croce, neither of them can be the basis of our knowledge. What we mean when we say to know something is neither that we have impressions nor that we possess sensations, but rather that we have a representation of that thing. In this way, the sensible features of our experience are ruled out from its philosophical account and are replaced through spiritual activities pertaining to the practical realm of the Spirit.

KW - Sustainability Science

KW - impression

KW - expression

KW - form

KW - matter

KW - representation

UR - http://digital.casalini.it/10.1400/181725

U2 - 10.1400/181725

DO - 10.1400/181725

M3 - Zeitschriftenaufsätze

VL - 13

SP - 211

EP - 236

JO - Annali del Dipartimento di Filosofia

JF - Annali del Dipartimento di Filosofia

SN - 0394-5073

ER -

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DOI

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