Hollis Frampton: Photographs

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Hollis Frampton: Photographs. / Breimaier, Anne.
12 S. London: The Burlington Magazine Publication Ltd.. 2020Burlington Contemporaty. (Burlington Contemporary).

Publikation: Andere wissenschaftliche BeiträgeWissenschaftliche Beiträge in Foren oder WeblogsTransfer

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@misc{6f550213d97c46df8d56bacad27d03dd,
title = "Hollis Frampton: Photographs",
abstract = "The American artist and art critic Hollis Frampton (1936–84) is best known for his experimental films, which were honoured during his lifetime with retrospectives at such renowned institutions as the Museum of Modern Art, New York (1973), the Knokke Experimental Film Festival, Knokke-Heist (1974), and the Anthology Film Archives, New York (1975). In recent years, an awakened interest in Frampton{\textquoteright}s work with still images has been demonstrated by a number of solo exhibitions as well as research by a second generation of scholars and curators, who address his multi-media practice beyond the imperative of his films.1 The presentation of Frampton{\textquoteright}s photographs at Goldsmiths CCA, London, which spans a period from the late 1950s to the mid-1980s, marks a promising chapter in the rediscovery of the artist{\textquoteright}s work with photography, from a curatorial as well as a scholarly perspective.",
keywords = "Science of art",
author = "Anne Breimaier",
year = "2020",
month = nov,
day = "26",
language = "English",
series = "Burlington Contemporary",
publisher = "The Burlington Magazine Publication Ltd.",
address = "United Kingdom",
type = "Other",

}

RIS

TY - GEN

T1 - Hollis Frampton: Photographs

AU - Breimaier, Anne

PY - 2020/11/26

Y1 - 2020/11/26

N2 - The American artist and art critic Hollis Frampton (1936–84) is best known for his experimental films, which were honoured during his lifetime with retrospectives at such renowned institutions as the Museum of Modern Art, New York (1973), the Knokke Experimental Film Festival, Knokke-Heist (1974), and the Anthology Film Archives, New York (1975). In recent years, an awakened interest in Frampton’s work with still images has been demonstrated by a number of solo exhibitions as well as research by a second generation of scholars and curators, who address his multi-media practice beyond the imperative of his films.1 The presentation of Frampton’s photographs at Goldsmiths CCA, London, which spans a period from the late 1950s to the mid-1980s, marks a promising chapter in the rediscovery of the artist’s work with photography, from a curatorial as well as a scholarly perspective.

AB - The American artist and art critic Hollis Frampton (1936–84) is best known for his experimental films, which were honoured during his lifetime with retrospectives at such renowned institutions as the Museum of Modern Art, New York (1973), the Knokke Experimental Film Festival, Knokke-Heist (1974), and the Anthology Film Archives, New York (1975). In recent years, an awakened interest in Frampton’s work with still images has been demonstrated by a number of solo exhibitions as well as research by a second generation of scholars and curators, who address his multi-media practice beyond the imperative of his films.1 The presentation of Frampton’s photographs at Goldsmiths CCA, London, which spans a period from the late 1950s to the mid-1980s, marks a promising chapter in the rediscovery of the artist’s work with photography, from a curatorial as well as a scholarly perspective.

KW - Science of art

M3 - Articles in scientific forums or blogs

T3 - Burlington Contemporary

PB - The Burlington Magazine Publication Ltd.

CY - London

ER -