Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
Publikation: Beiträge in Sammelwerken › Kapitel
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Arts and Power: Policies in and by the Arts. Hrsg. / Lisa Gaupp; Alenka Barber-Kersovan; Volker Kirchberg. 1. Aufl. Wiesbaden: Springer VS, 2022. S. 155-193 9 (Kunst und Gesellschaft).
Publikation: Beiträge in Sammelwerken › Kapitel
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TY - CHAP
T1 - Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
AU - Mola, Isabelle Fontbona
AU - Wuggenig, Ulf
PY - 2022
Y1 - 2022
N2 - This essay focuses on the practice of female bodybuilding (in the form we know it today) from the perspectives of domination and empowerment, social influence and power. The primary theoretical frame of reference is Bourdieu’s field-habitus-capital approach, though this essay also discusses some limitations of applications of this theory, since Bourdieu linked bodybuilding with the working class only and did not discuss it as a middle class and feminism connotated female practice as well. Using a critical queer approach, the practice of female bodybuilding is discussed in terms of its similarities and fundamental difference with male bodybuilding. The essay furthermore looks at the practice on a systemic level, analyzing its expansion from sport and entertainment into several cultural and visual fields, including eroticism and the arts, in a process of social differentiation; and its globalization beyond its origins in the United States and the United Kingdom, which was also facilitated by the internet—psycho power—and which redefined the practice’s visibility after the iconic turn in an overall economy of appearance and attention. Of special relevance, this essay analyzes some of the intra- and intergender struggles within the field in light of the male dominance on the institutional level, which is enforced by heteronomous orientations (demand as well as male gaze) that support heavily sexualized, essentialist expectations of “femininity” for performing bodybuilders. These expectations are similarly reinforced by the demands of marketing interests and are supported by the complicity of the negatively privileged, which is characteristic for the functioning of symbolic power in Bourdieu’s sense. The ambiguity involved in the affirmative reproduction of the dominant gender order, as well as the critical intentions and dissident interventions in the patriarchal order, are discussed using the theoretical frame provided by French constructivist structuralism and further approaches to social power.
AB - This essay focuses on the practice of female bodybuilding (in the form we know it today) from the perspectives of domination and empowerment, social influence and power. The primary theoretical frame of reference is Bourdieu’s field-habitus-capital approach, though this essay also discusses some limitations of applications of this theory, since Bourdieu linked bodybuilding with the working class only and did not discuss it as a middle class and feminism connotated female practice as well. Using a critical queer approach, the practice of female bodybuilding is discussed in terms of its similarities and fundamental difference with male bodybuilding. The essay furthermore looks at the practice on a systemic level, analyzing its expansion from sport and entertainment into several cultural and visual fields, including eroticism and the arts, in a process of social differentiation; and its globalization beyond its origins in the United States and the United Kingdom, which was also facilitated by the internet—psycho power—and which redefined the practice’s visibility after the iconic turn in an overall economy of appearance and attention. Of special relevance, this essay analyzes some of the intra- and intergender struggles within the field in light of the male dominance on the institutional level, which is enforced by heteronomous orientations (demand as well as male gaze) that support heavily sexualized, essentialist expectations of “femininity” for performing bodybuilders. These expectations are similarly reinforced by the demands of marketing interests and are supported by the complicity of the negatively privileged, which is characteristic for the functioning of symbolic power in Bourdieu’s sense. The ambiguity involved in the affirmative reproduction of the dominant gender order, as well as the critical intentions and dissident interventions in the patriarchal order, are discussed using the theoretical frame provided by French constructivist structuralism and further approaches to social power.
KW - Science of art
KW - Arts and Power
KW - Third wave feminism
KW - Sociology
KW - Field-theory
KW - Body
KW - Female bodybuilding
KW - Female bodybuilding
KW - Body
KW - Arts and Power
KW - Field-theory
KW - Third wave feminism
UR - https://link.springer.com/book/9783658374280
UR - https://d-nb.info/1253238790
UR - https://www.mendeley.com/catalogue/21fc4dbc-09c0-3811-9d90-90e99fa13406/
U2 - 10.1007/978-3-658-37429-7_9
DO - 10.1007/978-3-658-37429-7_9
M3 - Chapter
SN - 978-3-658-37428-0
T3 - Kunst und Gesellschaft
SP - 155
EP - 193
BT - Arts and Power
A2 - Gaupp, Lisa
A2 - Barber-Kersovan, Alenka
A2 - Kirchberg, Volker
PB - Springer VS
CY - Wiesbaden
ER -