Deciphering movement and stasis: Touring musicians and their ambivalent imaginings of home and belonging
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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in: International Journal of Tourism Anthropology, Jahrgang 6, Nr. 4, 01.01.2018, S. 323-339.
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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TY - JOUR
T1 - Deciphering movement and stasis
T2 - Touring musicians and their ambivalent imaginings of home and belonging
AU - Ramella, Anna Lisa
N1 - Publisher Copyright: Copyright © 2018 Inderscience Enterprises Ltd.
PY - 2018/1/1
Y1 - 2018/1/1
N2 - This article explores a reconceptualisation of movement and stasis in the narrations of contemporary touring musicians in Europe and the USA. Within these two music markets, touring has become a necessity that derives from and simultaneously pushes commercial success. By analysing the experiences of touring via the embodied and the imaginative, and drawing from ethnographic fieldwork with musicians on tour, the article contributes to an understanding of ambivalences regarding home and belonging in a 'mobile' setting. For musicians spending much of their time on the road, categories of immobility and mobility can no longer be framed as synonyms of home and away. Rather, both can be conceptualised as familiar and alien, depending on the individual, temporal and structural circumstances. The very blurring of the boundaries of movement and stasis enables a shifting of perspectives in which 'home' and 'tour' may be experienced as either a source of stability or transience.
AB - This article explores a reconceptualisation of movement and stasis in the narrations of contemporary touring musicians in Europe and the USA. Within these two music markets, touring has become a necessity that derives from and simultaneously pushes commercial success. By analysing the experiences of touring via the embodied and the imaginative, and drawing from ethnographic fieldwork with musicians on tour, the article contributes to an understanding of ambivalences regarding home and belonging in a 'mobile' setting. For musicians spending much of their time on the road, categories of immobility and mobility can no longer be framed as synonyms of home and away. Rather, both can be conceptualised as familiar and alien, depending on the individual, temporal and structural circumstances. The very blurring of the boundaries of movement and stasis enables a shifting of perspectives in which 'home' and 'tour' may be experienced as either a source of stability or transience.
KW - Belonging
KW - Home
KW - Immobility
KW - Mobility
KW - Movement
KW - Practices
KW - Rhythm
KW - Stasis
KW - Touring musicians
KW - Transience
KW - History
KW - Cultural studies
UR - http://www.scopus.com/inward/record.url?scp=85057771206&partnerID=8YFLogxK
U2 - 10.1504/IJTA.2018.096361
DO - 10.1504/IJTA.2018.096361
M3 - Journal articles
AN - SCOPUS:85057771206
VL - 6
SP - 323
EP - 339
JO - International Journal of Tourism Anthropology
JF - International Journal of Tourism Anthropology
SN - 1759-0442
IS - 4
ER -