Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenTransferbegutachtet

Standard

Arkestrated Rhythmachine Komplexities : Machinic Geisterstunde and Post-Soul Persistencies. / ARK - Arkestrated Rhythmachine Complexities ; Pelleter, Malte.

CTM 2019 Persistence Magazine. Hrsg. / Jan Rohlf; Annie Garlid; Taica Replansky; Ollie Zhang; Dahlia Borsche; Andreas L. Hofbauer. Berlin : DISK – Initiative Bild & Ton e.V., 2019. S. 62-67.

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenTransferbegutachtet

Harvard

ARK - Arkestrated Rhythmachine Complexities & Pelleter, M 2019, Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies. in J Rohlf, A Garlid, T Replansky, O Zhang, D Borsche & AL Hofbauer (Hrsg.), CTM 2019 Persistence Magazine. DISK – Initiative Bild & Ton e.V., Berlin, S. 62-67, CTM Festival 2019 , Berlin, Deutschland, 25.01.19.

APA

ARK - Arkestrated Rhythmachine Complexities, & Pelleter, M. (2019). Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies. in J. Rohlf, A. Garlid, T. Replansky, O. Zhang, D. Borsche, & A. L. Hofbauer (Hrsg.), CTM 2019 Persistence Magazine (S. 62-67). DISK – Initiative Bild & Ton e.V..

Vancouver

ARK - Arkestrated Rhythmachine Complexities, Pelleter M. Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies. in Rohlf J, Garlid A, Replansky T, Zhang O, Borsche D, Hofbauer AL, Hrsg., CTM 2019 Persistence Magazine. Berlin: DISK – Initiative Bild & Ton e.V. 2019. S. 62-67

Bibtex

@inbook{7d7b0f8d9f424fa183f043977ddc4ec9,
title = "Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies",
abstract = "The ARK project began as a drum-machine choir, thrown together in 2018 on the occasion of an exhibition at the Museum of Applied Arts in Hamburg: Mobile Welten oder das Museum unserer transkulturel-len Gegenwart [Mobile Worlds or The Museum of Our Transcultural Present], a motley assembly of quaint old-fashioned machines, speak-ers, and carrying cases coated in imitation leather or wood veneers, playing synthesised rhythms at the push of a button. It is the epitome of some kind of pseudo techno aesthetic, a sleek machinic imitation of seemingly human artisanship. But there is more to it than meets the eye. Something pervades these unimposing apparatuses like a te-nacious swathe of mist, billowing through their corroded circuits, clinging stubbornly to their dusty surfaces. That{\textquoteright}s how it is, with ghosts and machines. Not that the ARK drum-machine choir seeks to exorcise or invoke any ghosts in the machine. It simply lets these restless machinic souls pop up and play their part. It aims to make of them its familiars. Let{\textquoteright}s celebrate the machinic Geisterstunde [witch-ing hour]",
keywords = "Cultural studies, Music education",
author = "{ARK - Arkestrated Rhythmachine Complexities} and Malte Pelleter",
note = "ARK (Arkestrated Rhythmachine Complexities) is a changing association of musicians, producers, writers, sci-entists, and electronic MusickingThings, who*which per-form heterochronicity and multi-track knowledge, looking for post-representative sound formats. It consists, among other, of Johannes Ismaiel-Wendt, Sebastian Kunas, Malte Pelleter, the Maestro Rhythm King, Sarah-Indriyati Hard-jowirogo, Ole Schwabe, and the Wurlitzer Side Man.; CTM Festival 2019 : Adventurous Music & Art, CTM ; Conference date: 25-01-2019 Through 03-02-2019",
year = "2019",
language = "English",
isbn = "978-3-9817928-5-0",
pages = "62--67",
editor = "Jan Rohlf and Annie Garlid and Taica Replansky and Ollie Zhang and Dahlia Borsche and Hofbauer, {Andreas L.}",
booktitle = "CTM 2019 Persistence Magazine",
publisher = "DISK – Initiative Bild & Ton e.V.",
address = "Germany",

}

RIS

TY - CHAP

T1 - Arkestrated Rhythmachine Komplexities

T2 - CTM Festival 2019

AU - ARK - Arkestrated Rhythmachine Complexities

AU - Pelleter, Malte

N1 - Conference code: 20

PY - 2019

Y1 - 2019

N2 - The ARK project began as a drum-machine choir, thrown together in 2018 on the occasion of an exhibition at the Museum of Applied Arts in Hamburg: Mobile Welten oder das Museum unserer transkulturel-len Gegenwart [Mobile Worlds or The Museum of Our Transcultural Present], a motley assembly of quaint old-fashioned machines, speak-ers, and carrying cases coated in imitation leather or wood veneers, playing synthesised rhythms at the push of a button. It is the epitome of some kind of pseudo techno aesthetic, a sleek machinic imitation of seemingly human artisanship. But there is more to it than meets the eye. Something pervades these unimposing apparatuses like a te-nacious swathe of mist, billowing through their corroded circuits, clinging stubbornly to their dusty surfaces. That’s how it is, with ghosts and machines. Not that the ARK drum-machine choir seeks to exorcise or invoke any ghosts in the machine. It simply lets these restless machinic souls pop up and play their part. It aims to make of them its familiars. Let’s celebrate the machinic Geisterstunde [witch-ing hour]

AB - The ARK project began as a drum-machine choir, thrown together in 2018 on the occasion of an exhibition at the Museum of Applied Arts in Hamburg: Mobile Welten oder das Museum unserer transkulturel-len Gegenwart [Mobile Worlds or The Museum of Our Transcultural Present], a motley assembly of quaint old-fashioned machines, speak-ers, and carrying cases coated in imitation leather or wood veneers, playing synthesised rhythms at the push of a button. It is the epitome of some kind of pseudo techno aesthetic, a sleek machinic imitation of seemingly human artisanship. But there is more to it than meets the eye. Something pervades these unimposing apparatuses like a te-nacious swathe of mist, billowing through their corroded circuits, clinging stubbornly to their dusty surfaces. That’s how it is, with ghosts and machines. Not that the ARK drum-machine choir seeks to exorcise or invoke any ghosts in the machine. It simply lets these restless machinic souls pop up and play their part. It aims to make of them its familiars. Let’s celebrate the machinic Geisterstunde [witch-ing hour]

KW - Cultural studies

KW - Music education

UR - https://www.ctm-festival.de/archive/festival-editions/ctm-2019-persistence/transfer/ctm-2019-magazine/

M3 - Contributions to collected editions/anthologies

SN - 978-3-9817928-5-0

SP - 62

EP - 67

BT - CTM 2019 Persistence Magazine

A2 - Rohlf, Jan

A2 - Garlid, Annie

A2 - Replansky, Taica

A2 - Zhang, Ollie

A2 - Borsche, Dahlia

A2 - Hofbauer, Andreas L.

PB - DISK – Initiative Bild & Ton e.V.

CY - Berlin

Y2 - 25 January 2019 through 3 February 2019

ER -