Value Orientations in the World of Visual Art: An Exploration Based on Latent Class and Correspondence Analysis
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Applications of Latent Trait and Latent Class Models in the Social Sciences. ed. / Jürgen Rost; Rolf Langeheine. Münster / New York: Waxmann Verlag, 1997. p. 287-295.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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TY - CHAP
T1 - Value Orientations in the World of Visual Art: An Exploration Based on Latent Class and Correspondence Analysis
AU - Tarnai, Christian
AU - Wuggenig, Ulf
N1 - Symposium on Applications of Latent Trait and Latent Class Models in the Social Sciences, 1994
PY - 1997
Y1 - 1997
N2 - Examines whether the assumptions about the social and normative integration of avant-garde art can be generalized and hold true for the European context. 616 visitors to art exhibitions in Vienna, Austria and 583 visitors in Hamburg, Germany completed questionnaires (foreign visitors to the exhibits were excluded from the two samples). The traditionalism scale of this questionnaire which measures the degree of identification with communitarian values and with mainstream symbols of social status was used for the analyses. Latent class analysis for ordinal data and correspondence analysis were performed. It was shown that the center of the Vienna art world is characterized by individualistic and antibourgeois tendencies demonstrated by the fact that the Vienna sample had a higher proportion of persons with low traditionalism and a lower proportion with high traditionalism. The results of the German sample show that differences between the center and periphery of the art world with regard to traditionalism are so minimal that it is impossible to speak of a subculture.
AB - Examines whether the assumptions about the social and normative integration of avant-garde art can be generalized and hold true for the European context. 616 visitors to art exhibitions in Vienna, Austria and 583 visitors in Hamburg, Germany completed questionnaires (foreign visitors to the exhibits were excluded from the two samples). The traditionalism scale of this questionnaire which measures the degree of identification with communitarian values and with mainstream symbols of social status was used for the analyses. Latent class analysis for ordinal data and correspondence analysis were performed. It was shown that the center of the Vienna art world is characterized by individualistic and antibourgeois tendencies demonstrated by the fact that the Vienna sample had a higher proportion of persons with low traditionalism and a lower proportion with high traditionalism. The results of the German sample show that differences between the center and periphery of the art world with regard to traditionalism are so minimal that it is impossible to speak of a subculture.
KW - Science of art
KW - Art
KW - Values
KW - Item response theory
KW - Conservatism
KW - Pitorial Stimuli
KW - Subculture
KW - Statistical Analysis
KW - Germany
UR - https://d-nb.info/948400021/
M3 - Contributions to collected editions/anthologies
SN - 3-89325-464-1
SN - 978-3-89325-464-4
SP - 287
EP - 295
BT - Applications of Latent Trait and Latent Class Models in the Social Sciences
A2 - Rost, Jürgen
A2 - Langeheine, Rolf
PB - Waxmann Verlag
CY - Münster / New York
ER -