The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Critique: The Stakes of Form. ed. / Sami Khatib; Holger Kuhn; Oona Lochner; Isabel Mehl; Beate Söntgen. Zürich: Diaphanes Verlag, 2020. p. 297-324 (Critical stances).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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RIS
TY - CHAP
T1 - The Stakes of the Stage
T2 - Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
AU - Woisnitza, Mimmi
PY - 2020
Y1 - 2020
KW - Science of art
KW - Kritik
KW - Kunstkritik
KW - Form
KW - Philosophie
UR - https://d-nb.info/1202805124
M3 - Contributions to collected editions/anthologies
SN - 978-3-0358-0240-5
SN - 3-0358-0240-8
T3 - Critical stances
SP - 297
EP - 324
BT - Critique: The Stakes of Form
A2 - Khatib, Sami
A2 - Kuhn, Holger
A2 - Lochner, Oona
A2 - Mehl, Isabel
A2 - Söntgen, Beate
PB - Diaphanes Verlag
CY - Zürich
ER -