The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club

Research output: Contributions to collected editions/worksChapterpeer-review

Standard

The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club. / Jóri, Anita.
The New Age of Electronic Dance Music and Club Culture . ed. / Anita Jóri; Martin Lücke. Cham: Springer International Publishing, 2020. p. 117-131 (Music Business Research).

Research output: Contributions to collected editions/worksChapterpeer-review

Harvard

Jóri, A 2020, The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club. in A Jóri & M Lücke (eds), The New Age of Electronic Dance Music and Club Culture . Music Business Research, Springer International Publishing, Cham, pp. 117-131. https://doi.org/10.1007/978-3-030-39002-0_10

APA

Jóri, A. (2020). The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club. In A. Jóri, & M. Lücke (Eds.), The New Age of Electronic Dance Music and Club Culture (pp. 117-131). (Music Business Research). Springer International Publishing. https://doi.org/10.1007/978-3-030-39002-0_10

Vancouver

Jóri A. The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club. In Jóri A, Lücke M, editors, The New Age of Electronic Dance Music and Club Culture . Cham: Springer International Publishing. 2020. p. 117-131. (Music Business Research). doi: 10.1007/978-3-030-39002-0_10

Bibtex

@inbook{c6d7a92a65e44e729589dd9b5aeb29a5,
title = "The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club",
abstract = "The aim of this chapter is to introduce the model of the discourse community of electronic dance music using a case study of the Facebook group TB-303 Owners Club. This model is based on the discourse community theories of John M. Swales and the analytical system of computer-mediated discourse analysis put forward by Susan C. Herring. The methodology presented in this study is new in research on electronic dance music cultures. It can help us to understand the fine details about online community building and social identity construction via language use. Here, discourse is seen as language in use and as a tool for expressing identity. Therefore, different examples are examined of how identity construction works through discourse and how discourse influences these mechanisms. Furthermore, the results of this study add up-to-date information to the research on computer-mediated communication, with a special focus on the communication processes of social media.",
keywords = "Music education, Computer-mediated discourse analysisVirtual communityVirtual community, virtual community, Electronic dance music, Roland TB-303, Online communication",
author = "Anita J{\'o}ri",
year = "2020",
doi = "10.1007/978-3-030-39002-0_10",
language = "English",
isbn = "978-3-030-39001-3",
series = "Music Business Research",
publisher = "Springer International Publishing",
pages = "117--131",
editor = "{ J{\'o}ri}, Anita and Martin L{\"u}cke",
booktitle = "The New Age of Electronic Dance Music and Club Culture",
address = "Switzerland",

}

RIS

TY - CHAP

T1 - The Discourse Community of Electronic Dance Music through the Example of the TB-303 Owners Club

AU - Jóri, Anita

PY - 2020

Y1 - 2020

N2 - The aim of this chapter is to introduce the model of the discourse community of electronic dance music using a case study of the Facebook group TB-303 Owners Club. This model is based on the discourse community theories of John M. Swales and the analytical system of computer-mediated discourse analysis put forward by Susan C. Herring. The methodology presented in this study is new in research on electronic dance music cultures. It can help us to understand the fine details about online community building and social identity construction via language use. Here, discourse is seen as language in use and as a tool for expressing identity. Therefore, different examples are examined of how identity construction works through discourse and how discourse influences these mechanisms. Furthermore, the results of this study add up-to-date information to the research on computer-mediated communication, with a special focus on the communication processes of social media.

AB - The aim of this chapter is to introduce the model of the discourse community of electronic dance music using a case study of the Facebook group TB-303 Owners Club. This model is based on the discourse community theories of John M. Swales and the analytical system of computer-mediated discourse analysis put forward by Susan C. Herring. The methodology presented in this study is new in research on electronic dance music cultures. It can help us to understand the fine details about online community building and social identity construction via language use. Here, discourse is seen as language in use and as a tool for expressing identity. Therefore, different examples are examined of how identity construction works through discourse and how discourse influences these mechanisms. Furthermore, the results of this study add up-to-date information to the research on computer-mediated communication, with a special focus on the communication processes of social media.

KW - Music education

KW - Computer-mediated discourse analysisVirtual communityVirtual community

KW - virtual community

KW - Electronic dance music

KW - Roland TB-303

KW - Online communication

UR - https://link.springer.com/chapter/10.1007/978-3-030-39002-0_10

U2 - 10.1007/978-3-030-39002-0_10

DO - 10.1007/978-3-030-39002-0_10

M3 - Chapter

SN - 978-3-030-39001-3

T3 - Music Business Research

SP - 117

EP - 131

BT - The New Age of Electronic Dance Music and Club Culture

A2 - Jóri, Anita

A2 - Lücke, Martin

PB - Springer International Publishing

CY - Cham

ER -